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Williams' Concerto for Viola and Orchestra to premiere May 26


Miguel Andrade

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I should have seen that coming :pukeface: Classic case of instrument envy.

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Very brief podcast over at the Boston Pops website about the upcoming Williams Pops concerts.

It appears that on the 26th and 27th evenings Williams will conduct also the whole E.T. finale in sync with film. My gawd, I wish I'd be there...

I think most of us would love to be there. :lol: The programme sounds absolutely wonderful.

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Holy crap. That settles it, I'm going to the 26th or the 27th, not the 28th or 29th.

It's a shame he's only doing Stargazers at the 28th/29th shows, but everything else about the 26th/27th shows seems better

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Holy crap. That settles it, I'm going to the 26th or the 27th, not the 28th or 29th.

It's a shame he's only doing Stargazers at the 28th/29th shows, but everything else about the 26th/27th shows seems better

I think it's much more important to hear (and record) Stargazers.

Km.Who hopes there are still worthy and determined JW fans who will record it

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Sadly I won't be there on Thurs or Fri to record Stargazers, but I'll try to record a video on my camera of anything interesting performed on Wednesday night's show

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Holy crap. That settles it, I'm going to the 26th or the 27th, not the 28th or 29th.

It's a shame he's only doing Stargazers at the 28th/29th shows, but everything else about the 26th/27th shows seems better

I think it's much more important to hear (and record) Stargazers.

Not for Williams. And not for me.

Too bad these concerts don't get broadcast ROTFLMAO

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I'll be in the left side balcony in tomorrow night's show. Trentman where will you be?

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Nice. I was on the orchestra floor for last summer's concert. Thought I'd mix it up and try something different this time

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Nice. I was on the orchestra floor for last summer's concert. Thought I'd mix it up and try something different this time

Ya I was in the second balcony last year and on the floor the year before. Close balcony seats are probably the best.

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From where I live, airfare would be about $500. Then I would probably need a rental car/hotel...

I have a new car that could do the trip, but it's too far away (over 1800 miles) and would require 2-3 days drive time... plus hotel(s) for the trip.

Please, who can record this live? We need confirmation to settle our minds!

It will most likely be recorded officially by the Symphony Hall. Fingers crossed that it'll be broadcast (FM or internet) at a later date...

Mr. Williams should record another album of unreleased works. He's due for another!

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Hasn't happened yet.

If the concert starts at 8pm then its got another 3 and a half hours to go!

Ok, just I wanted to ask already so as soon someone would come home and login, he/she could react :angry:

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The concert last night was excellent! The program was as follows:

Huray for Hollywood!

Themes from Adventures of Robin Hood

Suite from Jane Eyre

INTERMISSION

Concerto for Viola and Orchestra

Adventures of Mutt

INTERMISSION

March from Superman

Selections from Far and Away

Raider's march

Themes from Lawrence of Arabia

Encores: Yoda's theme and the Star Wars theme

The highlights of the program were in my experience the suite from Jane Eyre and the new Concerto for Viola. The performances were stunning and Williams conducted with such inspiration, and a sensitivity on the podium I didn't even know he had. He was clearly enjoying himself and his conducting was about as precise and crystal clear as many of his film scores. I think many here will be pleased to hear that the concerto is composed in a romantic idiom very similar to much of his film work. It is perhaps one of his least experimental concert works to date. The outer movements are slow, emphasizing the lyrical abilities of the soloist, while the second movement is a classic Williams scherzo with a fun timpani/viola duet in the middle that also features a couple of fun timpani glissandi towards the end.

The opening movement evolves around an enchanting melody, which is in character similar to the theme from Memoirs of a Geisha but with a much broader structure as well as a sensitive developement section. Cathy Basrak, the soloist, performed this theme wonderfully and with great nobility in my opinion. The exposition of the theme also had some delightful solistic comments from the flute (most notably), horn, and oboe. My only critisism for the entire work would be the early and in my opinion intrusive tutti climax only a few minutes into the movement. The exaggerated Hollywood-like orchestration spoiled that particular section for me, and I also failed to appreciate why it was even there in the first place. This lack of patience in Williams' approach to form is in my opinion perhaps his greatest weakness. Thankfully though, it didn't last too long. The preparation of the cadenza was somewhat unusual in that the orchestra discretely faded out instead of building tension and dramatic expectation like we usually get to hear. Although the cadenza was difficult with intricate double stops, it seemed more a quiet meditation than virtuosic statement, something I greatly appreciated. The ending of the movement was again wonderful and truly had Symphony Hall in tears.

The final movement was also meditative, in a way similar to the final movement of Five Sacred Trees. It opened with the viola on its own and was soon joined by the harp, which for the occasion was moved right in front of the podium for better communication with the soloist and Williams. The movement later re-explored the theme from the first as well as revisiting the flute/viola combination. The audience reception resulted in a well deserved standing ovation and I believe the work to be one of Williams' greatest accomplishments. I would rank it even higher than the Mikos Rozsa concerto for viola, for those who are familiar with that. It is one of the most lyrical and most heart-felt and sincere works he has done. Perhaps in time it will prove to be one of the greatest contributions to the modern viola repertoire. At least it left me deeply touched.

Adventures of Mutt was a joy. Williams was smiling ear to ear and it seemed obvious that he loves conducting it. The humour in that piece is just incredible, and in my opinion one of the best arrangements he has ever concieved. The last section of the program consisted mainly of the obligatory must-do film themes. Williams seemed very tired and the performances weren't top class. The tribute to Maurice Jarre was however lovely and a worthy ending to a lovely evening!

- Mark

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Thank you for the review Mark :P It really sounds like such a wonderful night of music. And your description of the Viola Concerto makes it out to be something special. Oh how I wish I would not live in Europe so I could have attended! And there was the suite from Jane Eyre to top this all off.

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Damn. I was hoping for the new Marion's Theme concert arrangement. Hmmm, maybe tonight's playlist will be a little different?

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that Viola concerto sounds like it's really good after all

Damn. I was hoping for the new Marion's Theme concert arrangement. Hmmm, maybe tonight's playlist will be a little different?

we already have an "ok" recording of that though , at least one that can't be beat by a camera audio recording

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Whether or not a recording exists has nothing to do with me wishing I could see it performed live :lol:

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That hypothetical recording would surely sound nice if it existed.

(??)

How much coughing, winking and nodding, and indirect innuendo in general will it take to get this possibly hypothetical recording. If it exists or will exist at some point in time?

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The concert last night was excellent! The program was as follows:

Huray for Hollywood!

Themes from Adventures of Robin Hood

Suite from Jane Eyre

INTERMISSION

Concerto for Viola and Orchestra

Adventures of Mutt

INTERMISSION

March from Superman

Selections from Far and Away

Raider's march

Themes from Lawrence of Arabia

Encores: Yoda's theme and the Star Wars theme

The highlights of the program were in my experience the suite from Jane Eyre and the new Concerto for Viola. The performances were stunning and Williams conducted with such inspiration, and a sensitivity on the podium I didn't even know he had. He was clearly enjoying himself and his conducting was about as precise and crystal clear as many of his film scores. I think many here will be pleased to hear that the concerto is composed in a romantic idiom very similar to much of his film work. It is perhaps one of his least experimental concert works to date. The outer movements are slow, emphasizing the lyrical abilities of the soloist, while the second movement is a classic Williams scherzo with a fun timpani/viola duet in the middle that also features a couple of fun timpani glissandi towards the end.

The opening movement evolves around an enchanting melody, which is in character similar to the theme from Memoirs of a Geisha but with a much broader structure as well as a sensitive developement section. Cathy Basrak, the soloist, performed this theme wonderfully and with great nobility in my opinion. The exposition of the theme also had some delightful solistic comments from the flute (most notably), horn, and oboe. My only critisism for the entire work would be the early and in my opinion intrusive tutti climax only a few minutes into the movement. The exaggerated Hollywood-like orchestration spoiled that particular section for me, and I also failed to appreciate why it was even there in the first place. This lack of patience in Williams' approach to form is in my opinion perhaps his greatest weakness. Thankfully though, it didn't last too long. The preparation of the cadenza was somewhat unusual in that the orchestra discretely faded out instead of building tension and dramatic expectation like we usually get to hear. Although the cadenza was difficult with intricate double stops, it seemed more a quiet meditation than virtuosic statement, something I greatly appreciated. The ending of the movement was again wonderful and truly had Symphony Hall in tears.

The final movement was also meditative, in a way similar to the final movement of Five Sacred Trees. It opened with the viola on its own and was soon joined by the harp, which for the occasion was moved right in front of the podium for better communication with the soloist and Williams. The movement later re-explored the theme from the first as well as revisiting the flute/viola combination. The audience reception resulted in a well deserved standing ovation and I believe the work to be one of Williams' greatest accomplishments. I would rank it even higher than the Mikos Rozsa concerto for viola, for those who are familiar with that. It is one of the most lyrical and most heart-felt and sincere works he has done. Perhaps in time it will prove to be one of the greatest contributions to the modern viola repertoire. At least it left me deeply touched.

Adventures of Mutt was a joy. Williams was smiling ear to ear and it seemed obvious that he loves conducting it. The humour in that piece is just incredible, and in my opinion one of the best arrangements he has ever concieved. The last section of the program consisted mainly of the obligatory must-do film themes. Williams seemed very tired and the performances weren't top class. The tribute to Maurice Jarre was however lovely and a worthy ending to a lovely evening!

- Mark

Wait a minute - no E.T. finale synced to picture???

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Great to know that this new piece was a success!

Adventures of Mutt was a joy. Williams was smiling ear to ear and it seemed obvious that he loves conducting it. The humour in that piece is just incredible, and in my opinion one of the best arrangements he has ever concieved.

What were the changes to that piece?

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Thanks for the review.. I'd love to hear the new concerto!

Are there any details about Stargazers? Is it a different version / arrangement of the ET finale?

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Where did it say changes were made?

Oh, sorry. I misunderstood. Because he said "one of the best arrangements he has ever concieved" I thought that Williams had changed the piece a little, like Irina's Theme or Marion's Theme.

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So, the set list posted is a little wrong... here's the right one

 

Tuesday May 26th and Wednesday May 27th:

Hooray For Hollywood (Whiting-Williams)

March from The Adventures of Robin Hood (Korngold)

Suite from Jane Eyre [Lowood - To Thornfield - Reunion]

Flight to Neverland from Hook

INTERMISSION

Concerto for Viola and Orchestra

The Adventures of Mutt from Indiana Jones and the Kingdom Of The Crystal Skull

INTERMISSION

Superman March

Selections from Far and Away [County Galway, June 1892 - The Fighting Donnellys - Joseph and Shannon - Blowin' Off Steam (The Fight) - Finale]

Excerpts from Lawrence of Arabia (Jarre-Karam)

Raiders March

ENCORE

Yoda's Theme from The Empire Strikes Back

Main Theme from Star Wars

 

Thursday May 28th and Friday May 29th:

March from The Adventures of Robin Hood (Korngold)

Suite from Jane Eyre [Lowood - To Thornfield - Reunion]

Flight to Neverland from Hook

Two Selections from E.T. (The Extra Terrestrial) [stargazers - Adventures On Earth]

INTERMISSION

Hooray For Hollywood (Whiting-Williams)

A Tribute to Stanley Domen:

You're All The World To Me, from Royal Wedding

Bless Your Beautiful, from Seven Brides for Seven Brothers

I Like Myself, from It's Always Fair Weather

The Worry Song, from Anchors Aweigh

Singin' In The Rain, from Singin' In The Rain

Superman March

ENCORE

?

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The Jane Eyre suite is great, I heard it when he did the NY Phil concerts in 2007. It's a beautiful piece. They did Hook too that night, it's exhilarating in concert!

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I think I am going to move to Boston when I graduate high school....

Where do you live now?

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I think I am going to move to Boston when I graduate high school....

Great idea, its a lot of fun here :lol:

And there are a ton of good colleges to pick from here as well

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Jason, if you do not mind me repeating some earlier questions: what did you think of the performances themselves and the acoustics?

Who cares? He played Hook!

Oh, wait -- I'm not Jason.

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