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ok,listening to the Irwin allen Set and the La La Land record,both are incomplete and need cues from each other to be complete.
For you who want to make their own complete Lost in Space here's my cue list.
All tracks are La La Land 40th Anniversary Set Disk 1 (Better sound)unless otherwise noted:
A)The Reluctant Stowaway.
1-Lost in Space:Main title Season 1
2-Smith's Entrance
3-JUDO CHOP(Irwin Allen Box Set Disk 1:Smith's Evening/Judo Chop/On the Pad/Count Down:2.47-4.11)
4-Final Countdown
5-Escape Velocity/Meteor Sorm
6-ROBOT CONTROL(Irwin Allen Box Set Disk 1:Escape Velocity/Robot Control/Meteor Storm Defrosting:2.24-3.34)
7-Weightless Waltz
8-Monster Rebels
9-Walk in Space /To Be continued
9a-Alternate to Be Continued (Irwin Allen Set Disk 1 The Monster Rebels/A Walk in Space/Finale:7.13-End)
10-End Titles Season 1
B)Island in the Sky
11-Strange Planet/John's Decent
12-SUITING UP(Irwin Allen Box Set Disk 1 Suiting Up/Stranglehold/The Landing/Search for John:0.00-2.06)
13-Strangle Hold/Landing
14-Lil' Will and the Robot
15-Search for John
16-Monkey's Doo
17-Operation Rescue
18-Personnal Chauffeur/Electric Sagebrush/Will Threatened
C)The Hungry Sea
19)CHARIOT TITLES (Irwin Allen Box Set Disk 1 Chariot Titles/Farenheight a GoGo/Chariot Continues/SunStorm:0.00-1.05)
20)FARENHEIGHT A GO-GO (Irwin Allen Box Set Disk 1 Chariot Titles/Farenheight a GoGo/Chariot Continues/SunStorm:1.05-2.36)
20b)Earthquake
21)Rising Temperature/Boring Company/Don's Ray's
22)Warming Rays/Sun Storm
23)MORNING AFTER AND THE INLAND SEA(Irwin Allen Box Set Disk 1:Morning After/the Inland Sea/Land Ho/Strange Visitor:0.00-5.27)
24-Land Ho/Kids Play Off
D)My Friend Mr Nobody
24-Lost in Space :Main Titles Season 3(La La Land Disk 2)
26-Lost in Space:Season 3 Bumper(La La Land Disk 2)
27-Irwin Allen LIS Vol 3 Track 12
28-Irwin Allen LIS Vol 3 Track 13
29-Irwin Allen LIS Vol 3 Track 14
30-Irwin Allen LIS Vol 3 Track 15
31-STORM COMING(Irwin Allen LIS Vol 3:Storm coming/A New Galaxy:0.00-1.30)
32-A New Galaxy(La La Land Disk 1:A New Galaxy)
33-End Titles Season 3(La La Land disk 2)
K.M.
Page 1 of 1
Lost in Space(John Williams)Complete Scores Cue List
#1
king mark 
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Posted 07 October 2006 - 04:18 PM
An Original Post by King Mark
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
MultiQuote
#2
robthehand
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Posted 07 October 2006 - 04:21 PM
Good work! I only have the LaLa Land set at the moment, I'll probably get the three GNP volumes at some point to try this out. 
#3
Mark Olivarez
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Posted 07 October 2006 - 07:01 PM
I'm missing Vol III from GNP.
#4
Omen II
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Posted 07 October 2006 - 07:39 PM
QUOTE(Mark Olivarez)
I'm missing Vol III from GNP.
Me too.
Good work on the cue lists, King Mark! I have the Irwin Allen box set as well as the 40th anniversary CDs but never got round to working out which cues to cut and paste from the various releases to get the most complete scores possible.
:thumbup:
His mouth is full of bees!
#5
king mark
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Posted 07 October 2006 - 08:07 PM
check your PM's...
K.M.
K.M.
An Original Post by King Mark
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
#6
GoodMusician
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Posted 07 October 2006 - 08:13 PM
were there any other releases besides those four? Those are the only ones I have?
How did they record in those days? Mono? Is that why things sound kinda... mono-ey?
How did they record in those days? Mono? Is that why things sound kinda... mono-ey?
#7
king mark
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Posted 07 October 2006 - 08:18 PM
releases:
GNP Irwin Allen Box Set Disk 1
GNP LIS Vol 3
La La Land 40th Anniversary 2 C.D. Set.
You need all these to make the complete scores.
I believe it's mono recordings
K.M.
GNP Irwin Allen Box Set Disk 1
GNP LIS Vol 3
La La Land 40th Anniversary 2 C.D. Set.
You need all these to make the complete scores.
I believe it's mono recordings
K.M.
An Original Post by King Mark
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
#8
Stefan Cosman
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Posted 07 October 2006 - 08:24 PM
Why has all this crap been released before a complete score 2 CD set of Temple Of Doom?
#9
king mark
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Posted 07 October 2006 - 08:27 PM
It's better than any other Williams 60's/Early 70's scores..,or a Goldsmith Western score...
K.M.
K.M.
An Original Post by King Mark
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
#10
Red Rabbit
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Posted 07 October 2006 - 08:28 PM
Because life isn't fair.
#11
Kendal_Ozzel
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Posted 07 October 2006 - 08:28 PM
QUOTE(Stefancos)
Why has all this crap been released before a complete score 2 CD set of Temple Of Doom?
ROTFLMAO
#12
king mark
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Posted 08 October 2006 - 01:19 AM
On a side note,Season 3 Bumper is really cool...only a few notes but so JW.I actually remember it from the show when it was on TV,but could never catch it in time to record it with a tape recorder when I was small
The beginning of Walk in Space is a cue I always wondered why it wasn't on the GNP sets(this motif sounds exactly like one in Goldsmith's The Burbs)....and the end of Don's Rays too.I looove all the hyperdramatic pre-commercial music and cliffhanger music(To Be Continued,Will Threatened...),really some of JW's best edge of your seat stuff ever.
K.M.Who started the only real JW thread of the day
The beginning of Walk in Space is a cue I always wondered why it wasn't on the GNP sets(this motif sounds exactly like one in Goldsmith's The Burbs)....and the end of Don's Rays too.I looove all the hyperdramatic pre-commercial music and cliffhanger music(To Be Continued,Will Threatened...),really some of JW's best edge of your seat stuff ever.
K.M.Who started the only real JW thread of the day
An Original Post by King Mark
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
#15
king mark
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Posted 09 October 2006 - 04:11 AM
You know I was listening to this today.The La La Land tracks sound excellent and the score arranged this way in it's complete form now ranks very high on my Top Williams list.There is some great music in there.
k.m.
k.m.
An Original Post by King Mark
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
#16
Dr.ZacharySmith
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Posted 09 October 2006 - 08:25 AM
The GNP cds are from the original mono source material, for the most part, but I'm sure they have been synthetically enhanced into a stereo sound stream.
KM, do the LaLa recordings sound better, in your opinion?
And to Stefancos...Have you heard some of this music? If you haven't then I'd have a listen, if I were you. Some of it is really inspired, especially the themes written for the episode "My Friend Mr. Nobody."
Edit: P.S. Bloody good job Mark...a true fan if ever there was one!
KM, do the LaLa recordings sound better, in your opinion?
And to Stefancos...Have you heard some of this music? If you haven't then I'd have a listen, if I were you. Some of it is really inspired, especially the themes written for the episode "My Friend Mr. Nobody."
Edit: P.S. Bloody good job Mark...a true fan if ever there was one!
#17
Miguel Andrade
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Posted 09 October 2006 - 08:55 AM
I haven't liestened to this since earlier this year, when the Lalaland disc was released.
But I think that the recordings aren't the same, which will explain if some sound better than others.
For sync reasons, there was a lot of re-scoring, much of it condcuted by Lionel Newman.
I should check the cd notes, as I think they are pretty good in that respect.
I'll get back on that later.
And great work Mark :wave:
Miguel, who feels that KM should be awarded JWFan.net member of the year
But I think that the recordings aren't the same, which will explain if some sound better than others.
For sync reasons, there was a lot of re-scoring, much of it condcuted by Lionel Newman.
I should check the cd notes, as I think they are pretty good in that respect.
I'll get back on that later.
And great work Mark :wave:
Miguel, who feels that KM should be awarded JWFan.net member of the year
Miguel Andrade
http://johnwilliams.....net/index.html
e-mail: miguel.jw@gmail.com
----------------------
"I owe a tremendous debt of gratitute do John Williams. Without his music, Superman's powers are greatly deminished. Believe me, if you try to fly without that theme, you go nowhere... one step, two steps and... down!" -- Christopher Reeve, May 1993
"John Williams will go down as one of the greatest composers." -- Leonard Slatkin, american conductor
"Ah yes, the Olympics. The quadrennial event where composer John Williams collects a hefty royalty check from NBC."
http://johnwilliams.....net/index.html
e-mail: miguel.jw@gmail.com
----------------------
"I owe a tremendous debt of gratitute do John Williams. Without his music, Superman's powers are greatly deminished. Believe me, if you try to fly without that theme, you go nowhere... one step, two steps and... down!" -- Christopher Reeve, May 1993
"John Williams will go down as one of the greatest composers." -- Leonard Slatkin, american conductor
"Ah yes, the Olympics. The quadrennial event where composer John Williams collects a hefty royalty check from NBC."
#18
hornist
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Posted 09 October 2006 - 09:58 AM
QUOTE
Miguel, who feels that KM should be awarded JWFan.net member of the year
:thumbup:
And Nobel-prize too. He is like the Last Samurai fighting for Williams
here in the Goldsmith forum.
bowdown
#19
king mark
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Posted 09 October 2006 - 06:20 PM
QUOTE(Dr.ZacharySmith)
KM, do the LaLa recordings sound better, in your opinion?
you don't have the La La Land c.d.'s?
K.M.
An Original Post by King Mark
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
#20
king mark
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Posted 10 October 2006 - 01:14 AM
Interesting.John Williams originated Dr Smith's motif(Smith's Entrance,On the Pad),but it was developped by other composers into a more comedic version .
There is still uncredited music at the beginning of the episode There Were Giants in the Earth(Season 1 Episode 4),not appearing on c.d. 2 but that sounds like JW.Maybe there was some leftover stuff from the first 2 scores they used there or it was partially scored by JW.
K.M.
There is still uncredited music at the beginning of the episode There Were Giants in the Earth(Season 1 Episode 4),not appearing on c.d. 2 but that sounds like JW.Maybe there was some leftover stuff from the first 2 scores they used there or it was partially scored by JW.
K.M.
An Original Post by King Mark
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
#21
fommes
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Posted 18 November 2007 - 08:37 PM
Questions:
Should we edit Robot Control in between Escape Velocity and Meteor Storm from the Lalaland disc?
On the CDs there's the track "Earthquake" that precedes this...?
Also, do you know where "Helmet It" should go (before or after Suiting up)? Or is that an alternate or so for "Suiting Up"?
QUOTE
5-Escape Velocity/Meteor Sorm
6-ROBOT CONTROL(Irwin Allen Box Set Disk 1:Escape Velocity/Robot Control/Meteor Storm Defrosting:2.24-3.34)
6-ROBOT CONTROL(Irwin Allen Box Set Disk 1:Escape Velocity/Robot Control/Meteor Storm Defrosting:2.24-3.34)
Should we edit Robot Control in between Escape Velocity and Meteor Storm from the Lalaland disc?
QUOTE
C)The Hungry Sea
19)CHARIOT TITLES (Irwin Allen Box Set Disk 1 Chariot Titles/Farenheight a GoGo/Chariot Continues/SunStorm:0.00-1.05)
19)CHARIOT TITLES (Irwin Allen Box Set Disk 1 Chariot Titles/Farenheight a GoGo/Chariot Continues/SunStorm:0.00-1.05)
On the CDs there's the track "Earthquake" that precedes this...?
Also, do you know where "Helmet It" should go (before or after Suiting up)? Or is that an alternate or so for "Suiting Up"?
#22
pixie_twinkle
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Posted 19 November 2007 - 12:58 AM
Thanks for this! I was wondering how to order the scores.
"Will there ever be a boy born who can swim faster than a shark?"
#23
king mark
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Posted 19 November 2007 - 03:46 AM
QUOTE(fommes @ Nov 18 2007, 01:37 PM) <{POST_SNAPBACK}>
Questions:
Should we edit Robot Control in between Escape Velocity and Meteor Storm from the Lalaland disc?
On the CDs there's the track "Earthquake" that precedes this...?
Also, do you know where "Helmet It" should go (before or after Suiting up)? Or is that an alternate or so for "Suiting Up"?
QUOTE
5-Escape Velocity/Meteor Sorm
6-ROBOT CONTROL(Irwin Allen Box Set Disk 1:Escape Velocity/Robot Control/Meteor Storm Defrosting:2.24-3.34)
6-ROBOT CONTROL(Irwin Allen Box Set Disk 1:Escape Velocity/Robot Control/Meteor Storm Defrosting:2.24-3.34)
Should we edit Robot Control in between Escape Velocity and Meteor Storm from the Lalaland disc?
QUOTE
C)The Hungry Sea
19)CHARIOT TITLES (Irwin Allen Box Set Disk 1 Chariot Titles/Farenheight a GoGo/Chariot Continues/SunStorm:0.00-1.05)
19)CHARIOT TITLES (Irwin Allen Box Set Disk 1 Chariot Titles/Farenheight a GoGo/Chariot Continues/SunStorm:0.00-1.05)
On the CDs there's the track "Earthquake" that precedes this...?
Also, do you know where "Helmet It" should go (before or after Suiting up)? Or is that an alternate or so for "Suiting Up"?
I forgot Earthquake.I re-placed it.
i just placed Robot Control after Escape Velocity/Meteor Storm as a seperate cue.
An Original Post by King Mark
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
#24
fommes
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Posted 19 November 2007 - 11:31 AM
Thanks for your reply!
- Would you happen to know about the "Helmet It" cue? Before/after "Suiting up"?
- I put "Earthquake" before "Chariot Titles", because that's where it goes on the GNP CD. Of course, I haven't seen the episodes so if I'm wrong please tell me.
- I did the trouble of editing it in. PM me if you want this edit.
(I didn't go to the trouble for the last episode, because the Lalaland tracks seem the same as the GNP Vol 3 tracks (no library rerecordings thus), with approximately the same sound quality.)
- Finally: I put this after Land Ho/Kid's Play-Off, because that cue actually features this "To Be Continued" version on the GNP release, but featured an alternate on the Lalaland release (which is used here). This placement fills that gap, provides for a nice conclusion for this episode's music, and avoids the repetition of having two almost identical To Be Continued cues right after one another on the Reluctant Stowaway score.
Right now, my tracklist is:
(Again: all tracks from Lalaland release unless otherwise noted)
(DISC ONE)
01 Main Title Season 1
02 Smith's Entrance
03 Judo Chop [VOL 1: 2:47-4:11]
04 Final Countdown
05 Escape Velocity / Robot Control / Meteor Storm [edit: VOL 1: 2:24-3:34 edited in Lalaland track]
06 Weightless Waltz
07 Monster Rebels
08 Walk in Space / To Be Continued
09 Main Title Season Two (Unused) [Warren Barker]
10 Strange Planet / John's Descent
11 Suiting Up [VOL 1: 0:00-2:06]
12 Helmet It
13 Strangele Hold / The Landing
14 Lil' Will and the Robot
15 Search for John
16 Monkey's Doo
17 Operation Rescue
18 Personal Chauffeur / Electric Sagebrush / Will Is Threatened
19 End Titles Season One
(DISC TWO)
20 Main Title Season Three
21 Earthquake
22 Chariot Titles / Farenheit a Go-Go [VOL 1: 0:00-2:36]
23 Temperature Rising / Boring Company / Don's Rays
24 Warming Rays / Sun Storm
25 Morning After / The Inland Sea [VOL 1: 0:00-5:27]
26 Land Ho / Kid's Play-Off
27 To Be Continued (Alternate) [VOL 1 track 5: 7:13-end]
28 Season Three Bumper
29 Wonderland Discovery [VOL 3]
30 Hairstyle Book / Penny's Friend / Diamonds [VOL 3]
31 Penny's Cave / Gathering Wild Flowers / Moving Rocks [VOL 3]
32 Mother & Daughter / Penny's Problem [VOL 3]
33 Storm Coming Up / New Galaxy [edit of VOL 3: 0:00-1:30 + Lalaland track]
34 Season Three End Title
Nice thing here is that you've got exactly one opener and one closing cue for each episode.
Thanks again for all your work KM!
- Would you happen to know about the "Helmet It" cue? Before/after "Suiting up"?
- I put "Earthquake" before "Chariot Titles", because that's where it goes on the GNP CD. Of course, I haven't seen the episodes so if I'm wrong please tell me.
QUOTE
i just placed Robot Control after Escape Velocity/Meteor Storm as a seperate cue.
- I did the trouble of editing it in. PM me if you want this edit.
(I didn't go to the trouble for the last episode, because the Lalaland tracks seem the same as the GNP Vol 3 tracks (no library rerecordings thus), with approximately the same sound quality.)
QUOTE
9a-Alternate to Be Continued (Irwin Allen Set Disk 1 The Monster Rebels/A Walk in Space/Finale:7.13-End)
- Finally: I put this after Land Ho/Kid's Play-Off, because that cue actually features this "To Be Continued" version on the GNP release, but featured an alternate on the Lalaland release (which is used here). This placement fills that gap, provides for a nice conclusion for this episode's music, and avoids the repetition of having two almost identical To Be Continued cues right after one another on the Reluctant Stowaway score.
Right now, my tracklist is:
(Again: all tracks from Lalaland release unless otherwise noted)
(DISC ONE)
01 Main Title Season 1
02 Smith's Entrance
03 Judo Chop [VOL 1: 2:47-4:11]
04 Final Countdown
05 Escape Velocity / Robot Control / Meteor Storm [edit: VOL 1: 2:24-3:34 edited in Lalaland track]
06 Weightless Waltz
07 Monster Rebels
08 Walk in Space / To Be Continued
09 Main Title Season Two (Unused) [Warren Barker]
10 Strange Planet / John's Descent
11 Suiting Up [VOL 1: 0:00-2:06]
12 Helmet It
13 Strangele Hold / The Landing
14 Lil' Will and the Robot
15 Search for John
16 Monkey's Doo
17 Operation Rescue
18 Personal Chauffeur / Electric Sagebrush / Will Is Threatened
19 End Titles Season One
(DISC TWO)
20 Main Title Season Three
21 Earthquake
22 Chariot Titles / Farenheit a Go-Go [VOL 1: 0:00-2:36]
23 Temperature Rising / Boring Company / Don's Rays
24 Warming Rays / Sun Storm
25 Morning After / The Inland Sea [VOL 1: 0:00-5:27]
26 Land Ho / Kid's Play-Off
27 To Be Continued (Alternate) [VOL 1 track 5: 7:13-end]
28 Season Three Bumper
29 Wonderland Discovery [VOL 3]
30 Hairstyle Book / Penny's Friend / Diamonds [VOL 3]
31 Penny's Cave / Gathering Wild Flowers / Moving Rocks [VOL 3]
32 Mother & Daughter / Penny's Problem [VOL 3]
33 Storm Coming Up / New Galaxy [edit of VOL 3: 0:00-1:30 + Lalaland track]
34 Season Three End Title
Nice thing here is that you've got exactly one opener and one closing cue for each episode.
Thanks again for all your work KM!
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