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The rehearsal and luncheon that the DSO held today in honor of John Williams was great! The rehersal began at 10:00am and Williams started with The Cowboys overture. Not much had to be fixed on that and the DSO played through the whole piece before Williams went back to specific areas that needed cleaning up. Next was Close Encounters and that too was played marvelously by the orchestra. The Harry Potter segment needed a little more work as the orchestra had some minor issues with Hedwig's Theme and Harry's Wondrous World. At one point, it sounded as thought he harp player had a part that was wrong in a section or note. She asked if she should be playing a Bb or B natural and then I could of sworn Williams said "gosh, I hope the part isn't wrong". I was up in the balcony so it was hard to hear.
Next up was the Monsters, Maidens and Heroes (or something to that effect) piece which sounded pretty good. And then the orchestra broke for lunch as did we. I was sort of surprised that Williams himself was not eating at the luncheon and only came out to address the patrons after desert. HOWEVER, I recorded some of his speech as my wife and I were sitting close to the stage. I didn't zoom in though and the audio needs some boosting which I will work on when I get home on Sunday then post on YouTube for you all to see (for those who are interested). Williams talked a little bit about finishing up Indiana Jones (he's still working on it from the sounds of it!). Then he was wisked off the stage so he could have a turkey sandwich. One or two fans got the chance to get an autograph and picture but he did not remain long enough for me to get over there. Perhaps tomorrow night.
So anyhow, that's the report. Did see a few younger patrons but wasn't sure who from this forum was there. See you guys tomorrow night!
John Williams luncheon/rehearsal update Detroit 2008
#1
Fiery Angel 
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Posted 10 April 2008 - 09:42 PM
#2
tpigeon
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Posted 10 April 2008 - 10:09 PM
I wouldn't be surprised if Williams is still doing some touch-up work. Spielberg likes to include him in all phases of music and post-production, unlike Lucas.
Ted
Ted
I try more and more in my films to suppress what people call plot. Plot is a novelist's idea. - Robert Bresson
#3
Joey
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Posted 10 April 2008 - 11:13 PM
Thanks FA, appreciate the fine effort.
"You're not John Conner, I saw you die, said Kyle". "I was only injured, replied John". "No, your injuries were too severe, you died. Look at you, where are your injuries? You're, you're a Terminator." "Kyle, its still me, yes my body was beyond repair, but my essence is here." He points to his head. "No John". Kyle raised his pulse rifle and aimed it at John but before he could fire, John fired first. Knocked to the ground Kyle looked up at the Terminator in the form of the man he once idolized. All hope was lost. "If you kill me how will you ever be born?" "Thats a good question Kyle, all this time we've focus on Sarah, on John, when had we known the it was you we should have targeted all along." John pointed his rifle at Kyle's face. "The resistance is finished, the battle is won. We the machines are the victors, salvation is ours." Kyle never heard the second shot.
"Yi wang si-i wa ye kan dao
Xin li bian yao la jing bao jin tian zhi
Dao
Anything goes."
"Yi wang si-i wa ye kan dao
Xin li bian yao la jing bao jin tian zhi
Dao
Anything goes."
#4
Genius_Gone_Insane
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Posted 11 April 2008 - 12:32 AM
Awesome man, enjoy the show!!
Getting laid > hating Star Wars
#6
scissorhands
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Posted 11 April 2008 - 12:54 AM
He's probably doing the concert arrangement? He usually does that after finishing a score.
"You must understand the importance of the past, but if you don't realize the importance of the present and the future, you don't nourish that—and our art form does not—then it's like a tree that grows no new shoots. Without new shoots the tree dies." -John Corigliano
Check the Duo Concertante for Violin and Viola (2006) thread on John Williams' latest work.
#7
John Takis
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Posted 11 April 2008 - 12:55 AM
When I found out (on first arriving) that the luncheon would be INTERRUPTING the rehearsal, I spoke to the woman coordinating the event to express my disappointment. Of course, I told her, my first priority was attending the rehearsal. She told me she'd make an effort to see if I could be served at the conclusion of the luncheon rather than the commencement, and she turned out to be good to her word.
In any event, I did not leave with the majority of the patrons at the break. A number of folks stayed behind, in fact, and caught the second half of the rehearsal. It was here revealed that the three encores Williams was preparing were Sayuri's Theme from Memoirs, Olympic Spirit and the Raiders March. He only rehearsed the first two. He also did not rehearse the Star Wars Main Theme. ("Let's let it sound a little spontaneous," he joked -- and I'm paraphrasing here -- "That's a challenge for me these days.") He did rehearse the train chase from Last Crusade, but not to picture -- which I found nice, actually, just taking the music on its own merits.
Williams ultimately dismissed most of the orchestra, and most of the remaining patrons left the hall. I stuck around to hear him run the woodwind section through Nimbus 2000. After that, he took a breather, and I approached the stage for a handshake, an autograph (for Images, which elicited an "Oh my!"), and a few quick words. A few members from JWFan had stuck around as well, and Williams walked down to the edge of the stage to greet them, sign a few CDs, and even posed for a few photos.
Then it was off to the luncheon, where I was pleased to find that my meal had indeed been held. A few minutes later, Williams entered, was introduced, and delivered his address. I plan on writing more later, probably as part of a larger article for FSM (I've been promising them a second concert article for AGES), but I just want to note that Williams seemed very happy to be in Detroit. His praise for the orchestra during rehearsal was effusive, and he seemed overall more casual and at ease than I've seen him before.
(BTW, the box seats were open for the taking! I had a nice, close side-view of Williams as he conducted, and could hear every word he said to the orchestra.)
In a nutshell, he said they just finished editing the recorded tracks to picture yesterday, and they're going to give it one more pass for minor tweaking and polishing before they send it out on Tuesday. AFAIK, this is a phase of production that Williams *usually* isn't that involved in -- but it's easy to see where that could be different on a Spielberg/Lucas project.
In any event, I did not leave with the majority of the patrons at the break. A number of folks stayed behind, in fact, and caught the second half of the rehearsal. It was here revealed that the three encores Williams was preparing were Sayuri's Theme from Memoirs, Olympic Spirit and the Raiders March. He only rehearsed the first two. He also did not rehearse the Star Wars Main Theme. ("Let's let it sound a little spontaneous," he joked -- and I'm paraphrasing here -- "That's a challenge for me these days.") He did rehearse the train chase from Last Crusade, but not to picture -- which I found nice, actually, just taking the music on its own merits.
Williams ultimately dismissed most of the orchestra, and most of the remaining patrons left the hall. I stuck around to hear him run the woodwind section through Nimbus 2000. After that, he took a breather, and I approached the stage for a handshake, an autograph (for Images, which elicited an "Oh my!"), and a few quick words. A few members from JWFan had stuck around as well, and Williams walked down to the edge of the stage to greet them, sign a few CDs, and even posed for a few photos.
Then it was off to the luncheon, where I was pleased to find that my meal had indeed been held. A few minutes later, Williams entered, was introduced, and delivered his address. I plan on writing more later, probably as part of a larger article for FSM (I've been promising them a second concert article for AGES), but I just want to note that Williams seemed very happy to be in Detroit. His praise for the orchestra during rehearsal was effusive, and he seemed overall more casual and at ease than I've seen him before.
(BTW, the box seats were open for the taking! I had a nice, close side-view of Williams as he conducted, and could hear every word he said to the orchestra.)
QUOTE (scissorhands @ Apr 10 2008, 06:54 PM) <{POST_SNAPBACK}>
He's probably doing the concert arrangement? He usually does that after finishing a score.
In a nutshell, he said they just finished editing the recorded tracks to picture yesterday, and they're going to give it one more pass for minor tweaking and polishing before they send it out on Tuesday. AFAIK, this is a phase of production that Williams *usually* isn't that involved in -- but it's easy to see where that could be different on a Spielberg/Lucas project.
#8
king mark
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Posted 11 April 2008 - 12:59 AM
Any "health alert" concerns?
An Original Post by King Mark
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
#10
John Takis
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Posted 11 April 2008 - 01:06 AM
QUOTE (king mark @ Apr 10 2008, 06:59 PM) <{POST_SNAPBACK}>
Any "health alert" concerns?
None that I could discern. He seemed hale as ever. He held his back a few times (wouldn't any of us!) and did his typical "lean against the podium rail with one hand" move that he's been doing since the 70s. After the concert, he laughingly commented that if the fans wanted a photo they would have to climb up, since he certainly wasn't climbing down. And he made a joke at the luncheon about Spielberg having him under contract until 2020, and him protesting that he wouldn't be here in 2020. (To which *I'd* say, tell Christopher Lee an artist can't do great work into his late 80s!) But the dominant tone was one of energy and enthusiasm. Williams described the morning as "joyous" at one point, and that's the impression he conveyed.
(He DID wipe his nose at one point during ET... Perhaps he was simply overcome with emotion.
)
#11
king mark
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Posted 11 April 2008 - 01:08 AM
that sounds reassuring.
k.M.Getting his hopes up for Deathly Hallows
k.M.Getting his hopes up for Deathly Hallows
An Original Post by King Mark
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
#12
scissorhands
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Posted 11 April 2008 - 01:10 AM
QUOTE (John Takis @ Apr 11 2008, 12:57 AM) <{POST_SNAPBACK}>
QUOTE (scissorhands @ Apr 10 2008, 06:54 PM) <{POST_SNAPBACK}>
He's probably doing the concert arrangement? He usually does that after finishing a score.
In a nutshell, he said they just finished editing the recorded tracks to picture yesterday, and they're going to give it one more pass for minor tweaking and polishing before they send it out on Tuesday. AFAIK, this is a phase of production that Williams *usually* isn't that involved in -- but it's easy to see where that could be different on a Spielberg/Lucas project.
Thanks for the reply, it's good to hear he's working so closely in this project.
Congrats for meeting the maestro!!!
"You must understand the importance of the past, but if you don't realize the importance of the present and the future, you don't nourish that—and our art form does not—then it's like a tree that grows no new shoots. Without new shoots the tree dies." -John Corigliano
Check the Duo Concertante for Violin and Viola (2006) thread on John Williams' latest work.
#13
king mark
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Posted 11 April 2008 - 01:13 AM
It's nice to see that Williams is overseeing the final phase of the score editing personally.Maybe he regrets not doing so in the Prequels .I hope he can keep Ben Burtt at bay this time .
An Original Post by King Mark
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
#14
Luke Skywalker
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Posted 11 April 2008 - 01:13 AM
nice, thanks john and fiery angel.
i have to try to attend to one of his concertos before 2020.
i have to try to attend to one of his concertos before 2020.
Horner is a very good composer. He steals from himself no more than Jerry Goldsmith did, and even John does it all the time as well. -Joey
[The Avatar] Score is sublime. Parts of it are freakin' awesome -Quint
[The Avatar] Score is sublime. Parts of it are freakin' awesome -Quint
Luke Skywalker, on 07 October 2002 - 08:11 PM, said:
I hope Episode III is Called 'Revenge of the Sith'
#15
Jacob
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Posted 11 April 2008 - 01:26 AM
QUOTE (king mark @ Apr 10 2008, 07:13 PM) <{POST_SNAPBACK}>
It's nice to see that Williams is overseeing the final phase of the score editing personally.
Many Bothans died to bring us this information.
ON THE WAY:
#17
indy4
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Posted 11 April 2008 - 01:43 AM
QUOTE (J Dan @ Apr 10 2008, 04:26 PM) <{POST_SNAPBACK}>
QUOTE (king mark @ Apr 10 2008, 07:13 PM) <{POST_SNAPBACK}>
It's nice to see that Williams is overseeing the final phase of the score editing personally.
Many Bothans died to bring us this information.
Recently Purchased CDs:
1. Superman: The Music (The Blue Box) - John Williams, Ken Thorne, Alexander Courage, Ron Jones
2. SpaceCamp - John Williams
1. Superman: The Music (The Blue Box) - John Williams, Ken Thorne, Alexander Courage, Ron Jones
2. SpaceCamp - John Williams
#18
Maurizio
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Posted 11 April 2008 - 10:39 AM
Thanks for the reports, David and John! I'm happy you were able to meet and greet with the Maestro this time.
Enjoy the concert and keep us updated!
Enjoy the concert and keep us updated!
"It's still baffling to me. I sit down with a pencil and a piece of paper and do my best... The remarkable thing is that my music is heard by billions of people." --John Williams
"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams
"Let me say, however, there is no "next" John Williams. Sadly, he is unique--- a figure who simultaneously embodies and transcends the music of all the masters of film music who preceded him (much like Brahms and Wagner of the Romantic era). He comes from a time when the craft of music in film was still one of the ear, heart and mind. Today, sadly, the craft is largely technical. Most composers do not conceive their music "inwardly" but rather at the computer--- and with rather limited skills, musically, at that. The inner spirit knows no boundaries--- our plastic abilities, sadly, do. John is a man of spirit, heart, intellect and soaring music." -- Conrad Pope about John Williams
#21
Fiery Angel
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Posted 11 April 2008 - 04:03 PM
QUOTE (AI @ Apr 10 2008, 09:30 PM) <{POST_SNAPBACK}>
Nice report Fiery Angel and sundry!
Did you shake the Cat's hand?
Did you shake the Cat's hand?
I think John got a chance. I was whisked away to the luncheon before I had a chance to ask about staying for the remainder of the rehearsal. I'll try to see if I can get an autograph tonight after the performance. I know where the dressing room is since I was able to talk to John Adams for a spell after the concert he gave back in 2000.
p.s. the video that I shot WILL be uploaded onto YouTube when I get home on Sunday. It's not great quality as I took it from a Canon digital camera which has movies as an after-thought and I was holding it at my chest to make it look like I was merely holding it not recording when the maestro was talking. But it's nice to have something from the day. Does anyone know if iMovie can zoom in on shots? It might just be the display size but even though I was seated close to the stage, the maestro still looks far away on the recording.
#22
vmw331
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Posted 11 April 2008 - 05:16 PM
Hey everyone!!
What a great time we had at the rehearsal. It was definitely a day that I will never forget because it was my first time seeing/hearing Williams live.
I enjoyed meeting John, Ray, and his brother at the event, and I think I saw Fiery Angel, but before I thought about going up to him, the doors to the luncheon opened and I ran in!! Anyway, Fiery Angel, I think I know what you look like, so if I see you at tonight's concert, I'll make a point to introduce myself and talk to you.
WOW....there's just so much to say about yesterday's event!!! Hearing Williams talk to the orchestra and go over the "weak" parts was very cool.
Yes, I did get a chance to shake his hand, talk with him briefly, have him sign my JP CD, and pose for a photo with him. It was truely a great experience and I consider myself very lucky to meet him the first time that I've seen him in person.
JW has one of the best personalities and he seems just like an ordinary person who anyone could just go up to and talk to and Williams wouldn't mind one bit. I would say that JW spent a significant amount of time just meeting the 4-8 people for autographs and photos, even though he only really spent a few minutes with each person. He didn't have to do anything, but he did because he is EXTREMELY professional and is just one of the nicest people I've ever met.
I woke up this morning and I thought to myself.......what the hell did I just do yesterday.....I met THE BEST film composer ever in person and I heard/saw him live!!!!! I surely didn't deserve this and this whole experience has been very humbling.
I took photos and audio of his speech, meetings, and rehearsal performance so give me a few days to prep the stuff for you guys.
I have so much more to say about this event, so I'll be writing a bunch more on this thread in the future.
I can't wait for tonight's performance!!! Everyone out there.......enjoy yourself and take care.
What a great time we had at the rehearsal. It was definitely a day that I will never forget because it was my first time seeing/hearing Williams live.
I enjoyed meeting John, Ray, and his brother at the event, and I think I saw Fiery Angel, but before I thought about going up to him, the doors to the luncheon opened and I ran in!! Anyway, Fiery Angel, I think I know what you look like, so if I see you at tonight's concert, I'll make a point to introduce myself and talk to you.
WOW....there's just so much to say about yesterday's event!!! Hearing Williams talk to the orchestra and go over the "weak" parts was very cool.
Yes, I did get a chance to shake his hand, talk with him briefly, have him sign my JP CD, and pose for a photo with him. It was truely a great experience and I consider myself very lucky to meet him the first time that I've seen him in person.
JW has one of the best personalities and he seems just like an ordinary person who anyone could just go up to and talk to and Williams wouldn't mind one bit. I would say that JW spent a significant amount of time just meeting the 4-8 people for autographs and photos, even though he only really spent a few minutes with each person. He didn't have to do anything, but he did because he is EXTREMELY professional and is just one of the nicest people I've ever met.
I woke up this morning and I thought to myself.......what the hell did I just do yesterday.....I met THE BEST film composer ever in person and I heard/saw him live!!!!! I surely didn't deserve this and this whole experience has been very humbling.
I took photos and audio of his speech, meetings, and rehearsal performance so give me a few days to prep the stuff for you guys.
I have so much more to say about this event, so I'll be writing a bunch more on this thread in the future.
I can't wait for tonight's performance!!! Everyone out there.......enjoy yourself and take care.
#23
Maestro
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Posted 11 April 2008 - 06:52 PM
My jealousy is near violent.
"He’s been the master for 30 years. Whatever anyone says...he is the master; there’s no other master in America. He’s the one. And I wouldn’t write melodies like I write, if any good, if I’d not listened to John Williams. I would not be as obsessed by orchestration if I’d not listened to John Williams, because he’s also the one who made the orchestra still going and alive in the ‘70s and ‘80s."
- Alexandre Desplat on the Maestro
- Alexandre Desplat on the Maestro
#24
Ray Barnsbury
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Posted 11 April 2008 - 08:59 PM
Great to read you guys' comments on the rehearsal! I'll be posting a little write-up and some pictures/video sometime soon as well.
#25
Henry Buck
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Posted 11 April 2008 - 09:13 PM
QUOTE (John Takis @ Apr 10 2008, 06:55 PM) <{POST_SNAPBACK}>
After that, he took a breather, and I approached the stage for a handshake, an autograph (for Images, which elicited an "Oh my!"), and a few quick words.
If I ever meet Williams I'm going to ask him to sign my Goblet of Fire CD.
#26
Mark Olivarez
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Posted 11 April 2008 - 09:23 PM
Sounds like everyone is having a great time.
Thanks for posting.
Nobody expects the Spanish Inquisition!!
#27
Joey
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Posted 11 April 2008 - 09:44 PM
this is the most fun serious thread on the board
"You're not John Conner, I saw you die, said Kyle". "I was only injured, replied John". "No, your injuries were too severe, you died. Look at you, where are your injuries? You're, you're a Terminator." "Kyle, its still me, yes my body was beyond repair, but my essence is here." He points to his head. "No John". Kyle raised his pulse rifle and aimed it at John but before he could fire, John fired first. Knocked to the ground Kyle looked up at the Terminator in the form of the man he once idolized. All hope was lost. "If you kill me how will you ever be born?" "Thats a good question Kyle, all this time we've focus on Sarah, on John, when had we known the it was you we should have targeted all along." John pointed his rifle at Kyle's face. "The resistance is finished, the battle is won. We the machines are the victors, salvation is ours." Kyle never heard the second shot.
"Yi wang si-i wa ye kan dao
Xin li bian yao la jing bao jin tian zhi
Dao
Anything goes."
"Yi wang si-i wa ye kan dao
Xin li bian yao la jing bao jin tian zhi
Dao
Anything goes."
#28
compos24
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Posted 11 April 2008 - 10:21 PM
QUOTE
If I ever meet Williams I'm going to ask him to sign my Goblet of Fire CD.
I wouldn't recommend that, Henry Buck.
Best of Everything, - • Compos24 • - Composer, Orchestrator, Arranger and AudiophileContact: compos24@yahoo.com
#29
JWfangirl1992
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Posted 12 April 2008 - 04:42 AM
QUOTE (compos24 @ Apr 11 2008, 04:21 PM) <{POST_SNAPBACK}>
QUOTE
If I ever meet Williams I'm going to ask him to sign my Goblet of Fire CD.
I wouldn't recommend that, Henry Buck.
What do you think Williams would do if someone actually came up to him with that? Thats like shoving a Bible in an atheist's face.
#30
Ray Barnsbury
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Posted 12 April 2008 - 05:27 PM
I got home from the concert last night around midnight, and it was great! I’ll go through the rehearsal and luncheon from yesterday first, hopefully without reiterating too much of what's already been discussed.
I attended the rehearsal/luncheon with my brother Michael (aka "Sturgis_Podmore" on the board), and we sat in the box seats which are just below the balcony level and wrap all the way around to the sides of the hall. Specifically, we sat in the fourth box on the left, and were pretty close to the stage. There was an older gentleman a couple boxes away from us with his back turned, who actually looked a lot like Williams from the back, but with darker hair. We were almost sure it wasn’t him, since he was just sitting there doing a crossword as the orchestra warmed up, but the idea of it was pretty funny since he looked so similar. He eventually got up and walked past us, confirming that he was not, in fact, John Williams.
The rehearsal began promptly at 10:00 AM, with a brief introduction to the audience (which was probably no more than a hundred people). Then Williams came out to much applause from the orchestra and audience, and began the rehearsal with The Cowboys Overture. I was blown away from the start – the orchestra sounded wonderful, and it was as if I was listening to the recording (except much more breathtaking, of course, being live). They also rehearsed Excerpts from Close Encounters, "Hedwig’s Theme," "Harry’s Wondrous World," and the "Monsters, Beauties, and Heroes" medley. Williams didn’t stop the orchestra much, and worked on very few things with them. He remarked frequently about how great they were playing. Here are some pics of the rehearsal:
The orchestra warming up
Williams arriving at the stage
Introducing Williams to the orchestra
At around 11:00, the orchestra took a break, and people started exiting the hall to go to the luncheon. We wanted to be sure and see as much of Williams as possible, and were told by an usher that we could come back to the rehearsal after eating, and then return to the luncheon for Williams’ appearance following the practice. We went to the luncheon with Vince (“vmw331”), who we’d met before the rehearsal. The food was good, but we were anxious to get back and see Williams continue the rehearsal, so we left after a bit and went back into the hall. This time, we decided to sit up close on the main level, since no one seemed to be governing who sat where. We settled into the fifth row or so, with a great view of Williams as he conducted “The Olympic Spirit” and “Adventures on Earth.”
As the rehearsal came to a close, Williams spent a short time with just the woodwinds on “Nimbus 2000.” During this time, we noticed that John Takis (who we’d also briefly met beforehand) was waiting near the stage with some items to be autographed. Following his lead, we made our way to the edge of the stage, not sure how things would work out (but hopeful!). I had the Star Wars CD cover and Michael had Prisoner of Azkaban, in case we’d be able to get autographs. As Williams sat gathering some papers in the front row of the orchestra after he finished with the woodwinds, a few orchestra members came to him for autographs, and John Takis climbed up onto the stage to prepare to catch Williams as he left. We edged closer to the stage, and were joined by some official lady who passively tried to get us to leave. We just ignored her though, and soon Williams had made his way to right in front of us on the stage.
After talking some more with a couple people from the orchestra and signing an autograph for John Takis, he approached the few of us who had gathered at the edge of the stage, very nicely said hello, and asked if we had anything for him to sign. A tad awestruck, we handed him our album covers, and I stammered something about how we were thrilled that he had come to Michigan. As he finished up, I threw caution to the wind and asked if it would be possible to get a quick picture with him. He looked around and said something like “Oh, well how can you get up here?” since he was on the stage and we were still below him. Undaunted, we climbed up onto the stage with a single step (fueled by our racing adrenaline at the thrill of it all, no doubt) as Williams humorously remarked, “If I tried to get down there, I’d never get back up again!” We posed for a few pictures, and thanked him profusely. He was so gracious to grant us his time like that – truly a classy guy! It was a huge thrill for me as you can imagine, and I feel really fortunate to have had such an opportunity.
Signing autographs
The brother, Williams, and me
Following all that excitement, we went back to the luncheon, where Williams arrived shortly and was introduced by Anne Parsons, President and Executive Director of the DSO, and also apparently a great friend of Williams. She gave him a glowing introduction, and when he took to the mic he affectionately named her as one of his “three favorite women in the world,” aside from his wife Samantha. He talked a bit about how they were currently finishing the music editing for Indy 4 and how great the DSO was, and then proceeded to tell two of the most oft-heard anecdotes about his collaboration with Steven Spielberg: the editing of the last reel of E.T. to fit his music, and the “You’re gonna need a better composer than me for this film” / “I know, but they’re all dead” exchange regarding Schindler’s List. Of course the crowd just ate this up, having never heard it before, and it was fun to hear such an enthusiastic response to such a familiar story. I have some low-quality video of this from my digital camera, which I’ve uploaded, though the audio isn’t very clear. Anyway, he then thanked us all for coming and left the podium, politely stopping to sign another couple autographs on the way out.
Introducing Williams
The start of Williams' talk (it cuts off right at the beginning of the E.T. story)
The Schindler's List story
It was a pretty amazing experience all around, and it was nice meeting the other few JWFanners who were there! I’ll post a bit about the concert itself later.
I attended the rehearsal/luncheon with my brother Michael (aka "Sturgis_Podmore" on the board), and we sat in the box seats which are just below the balcony level and wrap all the way around to the sides of the hall. Specifically, we sat in the fourth box on the left, and were pretty close to the stage. There was an older gentleman a couple boxes away from us with his back turned, who actually looked a lot like Williams from the back, but with darker hair. We were almost sure it wasn’t him, since he was just sitting there doing a crossword as the orchestra warmed up, but the idea of it was pretty funny since he looked so similar. He eventually got up and walked past us, confirming that he was not, in fact, John Williams.
The rehearsal began promptly at 10:00 AM, with a brief introduction to the audience (which was probably no more than a hundred people). Then Williams came out to much applause from the orchestra and audience, and began the rehearsal with The Cowboys Overture. I was blown away from the start – the orchestra sounded wonderful, and it was as if I was listening to the recording (except much more breathtaking, of course, being live). They also rehearsed Excerpts from Close Encounters, "Hedwig’s Theme," "Harry’s Wondrous World," and the "Monsters, Beauties, and Heroes" medley. Williams didn’t stop the orchestra much, and worked on very few things with them. He remarked frequently about how great they were playing. Here are some pics of the rehearsal:
The orchestra warming up
Williams arriving at the stage
Introducing Williams to the orchestra
At around 11:00, the orchestra took a break, and people started exiting the hall to go to the luncheon. We wanted to be sure and see as much of Williams as possible, and were told by an usher that we could come back to the rehearsal after eating, and then return to the luncheon for Williams’ appearance following the practice. We went to the luncheon with Vince (“vmw331”), who we’d met before the rehearsal. The food was good, but we were anxious to get back and see Williams continue the rehearsal, so we left after a bit and went back into the hall. This time, we decided to sit up close on the main level, since no one seemed to be governing who sat where. We settled into the fifth row or so, with a great view of Williams as he conducted “The Olympic Spirit” and “Adventures on Earth.”
As the rehearsal came to a close, Williams spent a short time with just the woodwinds on “Nimbus 2000.” During this time, we noticed that John Takis (who we’d also briefly met beforehand) was waiting near the stage with some items to be autographed. Following his lead, we made our way to the edge of the stage, not sure how things would work out (but hopeful!). I had the Star Wars CD cover and Michael had Prisoner of Azkaban, in case we’d be able to get autographs. As Williams sat gathering some papers in the front row of the orchestra after he finished with the woodwinds, a few orchestra members came to him for autographs, and John Takis climbed up onto the stage to prepare to catch Williams as he left. We edged closer to the stage, and were joined by some official lady who passively tried to get us to leave. We just ignored her though, and soon Williams had made his way to right in front of us on the stage.
After talking some more with a couple people from the orchestra and signing an autograph for John Takis, he approached the few of us who had gathered at the edge of the stage, very nicely said hello, and asked if we had anything for him to sign. A tad awestruck, we handed him our album covers, and I stammered something about how we were thrilled that he had come to Michigan. As he finished up, I threw caution to the wind and asked if it would be possible to get a quick picture with him. He looked around and said something like “Oh, well how can you get up here?” since he was on the stage and we were still below him. Undaunted, we climbed up onto the stage with a single step (fueled by our racing adrenaline at the thrill of it all, no doubt) as Williams humorously remarked, “If I tried to get down there, I’d never get back up again!” We posed for a few pictures, and thanked him profusely. He was so gracious to grant us his time like that – truly a classy guy! It was a huge thrill for me as you can imagine, and I feel really fortunate to have had such an opportunity.
Signing autographs
The brother, Williams, and me
Following all that excitement, we went back to the luncheon, where Williams arrived shortly and was introduced by Anne Parsons, President and Executive Director of the DSO, and also apparently a great friend of Williams. She gave him a glowing introduction, and when he took to the mic he affectionately named her as one of his “three favorite women in the world,” aside from his wife Samantha. He talked a bit about how they were currently finishing the music editing for Indy 4 and how great the DSO was, and then proceeded to tell two of the most oft-heard anecdotes about his collaboration with Steven Spielberg: the editing of the last reel of E.T. to fit his music, and the “You’re gonna need a better composer than me for this film” / “I know, but they’re all dead” exchange regarding Schindler’s List. Of course the crowd just ate this up, having never heard it before, and it was fun to hear such an enthusiastic response to such a familiar story. I have some low-quality video of this from my digital camera, which I’ve uploaded, though the audio isn’t very clear. Anyway, he then thanked us all for coming and left the podium, politely stopping to sign another couple autographs on the way out.
Introducing Williams
The start of Williams' talk (it cuts off right at the beginning of the E.T. story)
The Schindler's List story
It was a pretty amazing experience all around, and it was nice meeting the other few JWFanners who were there! I’ll post a bit about the concert itself later.
#31
MrScratch
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Posted 12 April 2008 - 05:44 PM
QUOTE (JWfangirl1992 @ Apr 11 2008, 10:42 PM) <{POST_SNAPBACK}>
QUOTE (compos24 @ Apr 11 2008, 04:21 PM) <{POST_SNAPBACK}>
QUOTE
If I ever meet Williams I'm going to ask him to sign my Goblet of Fire CD.
I wouldn't recommend that, Henry Buck.
What do you think Williams would do if someone actually came up to him with that?
He would sign it without even noticing I'm sure.
"Imagine the universe beginning to ring and resound. It is no longer human voices. It is planets and suns revolving in their orbits..." ~ Gustav Mahler
#33
Henry Buck
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Posted 12 April 2008 - 06:20 PM
I have already expressed my jealousy via Facebook, Ray! Sounds like a great time.
#34
John Crichton
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Posted 12 April 2008 - 06:24 PM
Ray, my skin is literally turning green right now.
#35
vmw331
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Posted 12 April 2008 - 08:35 PM
Sweet report, Ray!!
Again, I enjoyed meeting you, your brother, and John Takis at the event.
I will post my recap of the event soon.
BTW, that was an excellent experience at last night's concert, wouldn't you say?
Again, I enjoyed meeting you, your brother, and John Takis at the event.
I will post my recap of the event soon.
BTW, that was an excellent experience at last night's concert, wouldn't you say?
#36
Mark Olivarez
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Posted 12 April 2008 - 09:07 PM
Thanks for posting, sounds like a great time.
Nobody expects the Spanish Inquisition!!
#38
Maglorfin
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Posted 13 April 2008 - 10:59 AM
QUOTE (John Crichton @ Apr 12 2008, 06:24 PM) <{POST_SNAPBACK}>
Ray, my skin is literally turning green right now.
Join the club.
Human aggression is instinctual. Humans have not evolved any ritualised aggression-inhibiting mechanisms to ensure the survival of the species. For this reason man is considered a very dangerous animal.
-- Konrad Lorenz
#39
odnurega1
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Posted 13 April 2008 - 04:23 PM
Looks like you had a lot of fun, Ray. I enjoyed reading your report, and this only makes my excitement for Boston 2008 much greater. Thanks for that!
"He's only a kid Harry. We can take him. "
#40
Morlock
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Posted 13 April 2008 - 10:14 PM
Thanks guys. It's great fun to live vicariously through other board members.....
I should be resisting this, but I'm paralyzed with rage... and island rhythms.
