Jump to content

John Williams articles at Boston.com


Recommended Posts

  • Replies 31
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Thanks for posting this Alain! An insightful article indeed.

Link to comment
Share on other sites

His comments on Avatar are spot on: "You can have some very ordinary ideas presented in such an enhanced and brilliant way, it’s almost like a new medium.’’ :lol:

But then again it probably wasn't intentional.

Karol

Link to comment
Share on other sites

A day without a piano is not an option because Williams composes every day, 6 1/2 days a week, inspired or not, wherever he is. He has no hobbies and rarely vacations. At 78, John Williams is a music-making machine.

Awesome!

Link to comment
Share on other sites

So he's already written all of Tintin? Interesting, if true (I'm always instantly dubious due to shoddy journalism in the past).

Good article.

Link to comment
Share on other sites

He plays 9 holes a day. :lol:

Yeah the comment section had a few misinformed posts but everyone has an opinion. I don't think that person is as familiar with Williams' music as they think they are.

Link to comment
Share on other sites

A day without a piano is not an option because Williams composes every day, 6 1/2 days a week, inspired or not, wherever he is. He has no hobbies and rarely vacations. At 78, John Williams is a music-making machine.

Awesome!

:lol::thumbup:

Link to comment
Share on other sites

Thanks for posting this Alain! An insightful article indeed.

You are completely welcome!

I was very happy to get some insight into the Maestro from his daughter like finding it rude to say good things about oneself, the walk at dusk (9 holes of golf) and that he sadly wasn't around much during his children's teenage years. I really enjoyed this one.

Glad I found this and was able to give something to this board which I frequent often but have not much to contribute! :thumbup:

Alain

Link to comment
Share on other sites

Yeah...most interviews and articles and whatnot don't go very much into his personal life, which is understandable, but it's nice to get a better idea of who John Williams is as a person, as opposed to a composer. Though according to the article, there isn't much of a difference between the two for him - which is probably why he's the best.

Link to comment
Share on other sites

So he's already written all of Tintin?

We've had multiple conversations, including quotes from Conrad Pope, about that very fact here on the board, yes

Link to comment
Share on other sites

What a nice interview :thumbup:

you look at what you wrote last week and it’s rubbish and you throw it out,

John Williams humility again ;) this man CANNOT write rubbish. :lol:

Sad that most of his rejected ideas surely are far better than some scores of late...

Link to comment
Share on other sites

So he's already written all of Tintin?

We've had multiple conversations, including quotes from Conrad Pope, about that very fact here on the board, yes

I can't be expected to read everything. Not unless I have to.

Link to comment
Share on other sites

Really nice piece. It's great to have a little hint of the Man behind the Artist, even though in the case of Williams these two sides blurs very much into each other.

I loved this part:

Williams isn’t shy about confronting the question of whether his commercial film work has damaged his credibility in the concert world. Film music has always been treated with condescension by the critical press, he says, noting with a laugh that on more than one occasion they have been justified.

The Man is really down-to-earth. :thumbup:

Link to comment
Share on other sites

Good article. Shame about the idiot in the comments.

I know everyone's entitled to their opinion, I just hate people like that guy in the comments. The absolute BEST is when he asks another reader "were you in the presence of a Pulitzer Prize winning composer...last week?"

Give me a freaking break. Who is this guy, Frasier Crane? I took composition lessons from a Pulitzer Prize-winning composer (Mario Davidovsky), and it was great. But it's not a life-changing event that means I'm gonna come onto some message board (i.e. the comments under that interview story) and declare my musical superiority. To be honest, few Pulitzer Prize composers would have the ability to composer music for films...it's more than just writing, and the synchronization itself is an art. I know for one that I've never done it much, and certainly couldn't do a big blockbuster film. Many Pulitzer-winning composers have also lost the ability to identify with an audience, looking only for the mathematical, unemotional approach to composition.

It's snobby, ignorant fools like that that give the classical music world such a bad rap sometimes. I'm glad that I deal more in the world of wind bands, where people are typically more appreciative of a composer's work. Not always of course (and there's a LOT of bad music for bands). Funny thing is though, that guy in the comments would have even MORE negative comments about the band world, I'm sure.

Too bad he didn't post a link so we could hear some of his own music. I'm sure it would get quite a lot of play on my iPod.

(End of rant. Sorry....long day at work and I'm just looking for somebody to just destroy! haha).

Link to comment
Share on other sites

Ignore those snobs who bash Williams: in their arguments against his music, they proclaim to be so amazingly informed about classical/symphonic repertoire and yet ironically are generally wholly uninformed about Williams' music. If they actually listened to and understood the wide variety of music he has composed over the years, they wouldn't be so snappy.

Link to comment
Share on other sites

LOL! There's always at least one of them. Even in casual conversation if my love of JW comes up, someone occasionally calls him out. "All his music sounds the same." Huh? Then obligatory note to self to never hang around these people again.

Link to comment
Share on other sites

Yeah, it's amazing how those sorts of opinions have a propensity for popping up whenever his name is mentioned. All you have to do is ask them which specific musical choices make Duel of the Fates sound like Sayuri's theme, or the Force theme sound like the underscore in CE3K, or the main titles to Catch Me If You Can sound like "The Immolation Scene." Expect bemusedly annoyed faces and a response that boils down to, "Whatever." :lol:

Link to comment
Share on other sites

In all fairness though, this place isn't exactly immune to similar nonsensical notions.

'Uninspired' and 'Filler' are just a couple of the tired clichés to be found here on an almost daily basis :lol:

Very nice article though, further testament as to why I and many, many others hold Williams in such high regard.

Link to comment
Share on other sites

Well, I think there are certainly passages that feel like they were written more through technique and experience than inspiration and originality, and as such they may not appeal to me as much. But I also respect that it's a pretty subjective thing...and I know that even being able to write that sort of music on "auto-pilot" requires an enormous amount of talent and education that Williams' critics don't acknowledge.

Link to comment
Share on other sites

Indeed man.

What really bothers me though about the majority of these self-proclaimed critics is that they actually make so much effort in ignoring Williams' talent and education.

Link to comment
Share on other sites

Well this is the first year that I have not gone to see Williams at Film Night. I am very upset with myself for not getting tickets. I suppose I get a little used to having him around. I know how lucky I am to live in Boston, some of you guys have never seen him.

Link to comment
Share on other sites

No mention of Schinder's List and dead composers? I believe the authenticity of this interview is dearly in question.

He's trying out some new repertoire.

Link to comment
Share on other sites

No mention of Schinder's List and dead composers? I believe the authenticity of this interview is dearly in question.

He's trying out some new repertoire.

Steven Spielberg does the same thing, actually: he always tells the story of how he snuck onto the Universal studio lot when he was a lad of 19 or so.

:lol:

I guess every "legend" does this, building their own myth.

Link to comment
Share on other sites

However, one of the most interesting things in the article is the news Williams just finished writing a new chamber piece. Can't wait to hear what it is!

Did anyone see the concerts in Boston?

Link to comment
Share on other sites

It's a great article! Very illuminating about his professional work and personal life. And I'm glad her daughter was able to approach her father even though only in recent times. Unfortunately often the price of success is very high for the family.

In honor of the comments that guy I'm listening to a Williams playlist on my iTunes

itunes_printscreen.jpg

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now

×
×
  • Create New...

Important Information

By using this site, you agree to our Guidelines.