Potterdom Film/Score Series Thread
#1
Posted 04 January 2004 - 06:18 PM
I expect it to be another great score, and the best film of the HP series. It benefits from the best story of these 3 films, and I get goosebumps thinking of the possibilities and directions John can go with this score. Themes galore, motifs, and further delving into the darkside of the HP series, just increase my anticipation.
Sure some of you would rather have John score some obscure art film or indy, some slow, wrist slitting borefest, but this is what he is doing. You can embrace it or ignore it, your choice. Some are more excited by The Terminal and thats fine, but it comes second this year, it doesn't break the long dry spell we've endured.
There is also the possibility that it will suck the big one like AOTC did, and be an awful mess. But unlike AOTC, this film has an actual "STORY", and a good one at that.
So basically this is it, 5 months from today, many of us will be seeing Harry Potter and the Prisoner of Azkaban. Hopefully the score will have been released nearly a month earlier, and we will be familiar with the score and anxious to see how it fits the film. Then too it could be one of these scores that gets released the following Tuesday after the films release, or 3 days before the release, who knows at this time, but at least this year we don't have to endure a year long dryspell, with 2 films scores and the knowledge that the following year brings at least 3 scores.
"Yi wang si-i wa ye kan dao
Xin li bian yao la jing bao jin tian zhi
Dao
Anything goes."
#2
Posted 04 January 2004 - 06:20 PM
Are we going to have a "Prisoner of Azkaban opens 4 months from today" and so forth
#3
Posted 04 January 2004 - 06:22 PM
and if I or others choose, we can have a 4 months till, 3months till, hell even a 4 months ago POA opened.
my goodness are you the illigetimate clone of Morn?
#4
Posted 04 January 2004 - 06:26 PM
#5
Posted 04 January 2004 - 06:28 PM
ROTFLMAO
I'm really looking forward to this score and film. Thanks for starting this thread, Joe. I hadn't seen you around lately but I'm glad you are still around. Also, the idea of a new Williams Harry Potter score coming soon is really exciting. Let's hope AOL streams it early again like they did with the last two scores!
Neil
#7
Posted 04 January 2004 - 06:39 PM
I hadn't seen you around lately but I'm glad you are still around.
Its bowl season, so that had my attention, and then with Nebraska courting my Razorbacks head football coach, that took up a little of my time.
#8
Posted 04 January 2004 - 06:57 PM
Re-read Joe's first post. He says...
Neil
#9
Posted 04 January 2004 - 07:23 PM
I'm looking forward to hear to score also. 5 months, probably 4, is sooner than you think!
I'm not going to listen the score before seeing the movie! I'm pretty sure Cuaron has changed a lot at the story, so I want to be completely surprised. In the assumption that Williams will create a Dementor motif/theme, a theme that I especially looking forward to, I want to hear it for the first time in cinema. 8O
#10
Posted 04 January 2004 - 07:30 PM
I'm looking forward to hear to score also. 5 months, probably 4, is sooner than you think!
I'm not going to listen the score before seeing the movie! I'm pretty sure Cuaron has changed a lot at the story,
Usually it's the scriptwriters who change things to the story, especially if the director is a hired gun and not the creative driving force.
Still a virgin?
:wave:
#11
Posted 04 January 2004 - 07:50 PM
Yes, I'm the male version of Britney...
I suppose that the studios knew that hiring Cuaron means that they were hiring a very obstinate director... And if you look at the poor quality of the scripts from the first two movies, I'm sure that Cuaron himself forced a few changes
#12
Posted 04 January 2004 - 07:57 PM
Someone like Cuaron does not have the amount of influence as a Spielberg might have, no matter how talented he may be.
#13
Posted 04 January 2004 - 08:04 PM
#15
Posted 04 January 2004 - 08:14 PM
Oh no, everybody knows that.
#17
Posted 04 January 2004 - 08:34 PM
#18
Posted 04 January 2004 - 08:40 PM
#19
Posted 04 January 2004 - 08:41 PM
Do you have a problem with that?
#20
Posted 04 January 2004 - 08:45 PM
#21
Posted 04 January 2004 - 10:04 PM
#22
Posted 04 January 2004 - 11:02 PM
#23
Posted 05 January 2004 - 12:18 AM
Ray Barnsbury
#24
Posted 05 January 2004 - 12:20 AM
On the other hand, Williams's last completed score, while not as Mancini-ish as I'd've liked, was a near hand-in-glove fit that I hadn't heard since 1992's JFK or 1990's Home Alone. The lugubrious father-son theme, except for the instrumentation, seemed a little too keeping in tradition with Sean's Theme from MR and David's Theme from AI, but the rest of score was so charming and light on its feet. I'm excited about The Terminal -- I hoping for a similar touch.
#25
Posted 05 January 2004 - 01:02 AM
Chris Columbus has a tight fist on the project with the intent of keeping all the HP films true to the books.
#26
Posted 05 January 2004 - 01:08 AM
Morlock- who thinks Cuaron is a much better director.
#27
Posted 05 January 2004 - 01:17 AM
#28
Posted 05 January 2004 - 01:17 AM
Yes, where slavish, stultifyingly literal-minded == "true."
#29
Posted 05 January 2004 - 01:46 AM
Are we going to have a \"Prisoner of Azkaban opens 4 months from today\" and so forth
Well,you can look forward to many threads about the subject as the soundtrack and movie approaches.Does this upset you because were allowed Potter threads in the General Discussion and not LotR or multiple Giacchino threads?Harry Potter movies are in direct relation with Williams.
K.M.
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
#30
Posted 05 January 2004 - 02:27 AM
Plus Spielberg hand picked Giacchino like he hand picked Williams
anyways on the topic, PoA is gonna be waaaaayyyyy better than that piece of crap CoS, Gary Oldman is going to whup ass
#31
Posted 05 January 2004 - 04:54 AM
K.M.Who said it here.
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
#33
Posted 05 January 2004 - 06:47 AM
BTW does anyone here want to take a stab at what characters there will be new themes for?
In the last film they gave that Fawkes a theme and the bird was BARELY in the friggin movie.
#34
Posted 05 January 2004 - 08:10 AM
So obviously i am sure Buckbeak will get a theme,probably opening menacingly then beeing gentle.That should be one of the Concert Arrangements on the c.d.
The Dementors will also get a theme for sure,probably something similar to The Emperor's theme with low chorus or whispers
And maybe Scabbers (Ron's Rat) and Crookshanks the cat(maybe a bouncy clarinet motif)
Other themes:
Lupin might get a theme
Sirius identity is supposed to be a mystery through most of the story,i'm not sure he'll have a specific theme attached to him,maybe he'll be associated to some kind of danger music.
Maybe Harry will get a new theme,because he grows up in this one and the other one might be more appropriate for a younger Harry
Hermione should get a theme of her own in this one,since she is important in the story this time around.
K.M.
Composed and Typed by King Mark
© King Mark 2010
Copying all or portions of this post may result in a $1,000,000 fine or 10 years in prison.
*WILLIAM ROSS involvement in COS(Interview with William Ross from 2002).<a href="http://www.mania.com/37027.html" target="_blank">http://www.mania.com/37027.html</a>
In addition to that new material, Williams took several themes and expanded them into more developed pieces for the soundtrack album. "I was stunned by the amount of music he wrote," says Ross. <b>"We were on the 12th day of a 13-day recording schedule and I received a package with new cues to record.</b> That night I actually called John and told him I was sending the music police to confiscate his pencil! I think he just couldn't stop writing." Ross did not compose any new material himself; everything he wrote was based on John's material. Williams insisted, though, that Ross receive a "Music Adapted by" credit onscreen. "That credit was something that John insisted on from our first meeting," says Ross. "The reality, however, is that CHAMBER OF SECRETS is a John Williams score beginning to end."
#35
Posted 05 January 2004 - 10:43 AM
- Marc, who wants his Williams. :mrgreen:
:music: David Arnold - The Day We Fight Back from Independence Day :cool:
#36
Posted 05 January 2004 - 03:24 PM
Yes, where slavish, stultifyingly literal-minded == "true."
The agreement with JKR was that the films must stay true to the books, if they do not then she can not allow WB to have the final two books for filming. Thats a hold a woman can put on a man that he will listen too.
Joe, hoping Alan is happy with the Terminal and that being the 3rd film removed from Spielberg's greatest disaster, we will start to see a "true" return to form for the once great director.
"Yi wang si-i wa ye kan dao
Xin li bian yao la jing bao jin tian zhi
Dao
Anything goes."
#37
Posted 05 January 2004 - 03:39 PM
Actually Joe, it'll be nine films removed from Spielberg's greatest disaster
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#39
Posted 05 January 2004 - 04:12 PM
editor@spielbergfilms.com
A Steven Spielberg fansite
#40
Posted 05 January 2004 - 11:52 PM

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