{"id":220,"date":"2011-09-14T12:51:58","date_gmt":"2011-09-14T12:51:58","guid":{"rendered":"http:\/\/filmmakerb.com\/jwfan\/?page_id=220"},"modified":"2026-02-02T17:26:32","modified_gmt":"2026-02-02T17:26:32","slug":"awards","status":"publish","type":"page","link":"https:\/\/jwfan.com\/?page_id=220","title":{"rendered":"Awards & Nominations"},"content":{"rendered":"

ACADEMY AWARDS<\/strong><\/p>\n

2023 – Indiana Jones and the Dial of Destiny<\/em> (Best Original Score)
\n2022 – The Fabelmans<\/em> (Best Original Score)
\n2019 – Star Wars: The Rise of Skywalker<\/em> (Best Original Score)
\n2017 – Star Wars: The Last Jedi<\/em> (Best Original Score)
\n2015 – Star Wars: The Force Awakens<\/em> (Best Original Score)
\n2013 – The Book Thief<\/em> (Best Original Score)
\n2012 – Lincoln<\/em> (Best Original Score)
\n2011 – War Horse<\/em> (Best Original Score)
\n2011 – The Adventures of Tintin<\/em> (Best Original Score)
\n2005 – Memoirs of a Geisha<\/em> (Best Original Score)
\n2005 – Munich<\/em> (Best Original Score)
\n2004 – Harry Potter and the Prisoner of Azkaban<\/em> (Best Original Score)
\n2002 – Catch Me If You Can<\/em> (Best Original Score)
\n2001 – Harry Potter and the Sorcerer’s Stone<\/em> (Best Original Score)
\n2001 – A.I. Artificial Intelligence<\/em> (Best Original Score)
\n2000 – The Patriot<\/em> (Best Original Score)
\n1999 – Angela’s Ashes<\/em> (Best Original Score)
\n1998 – Saving Private Ryan<\/em> (Best Original Score – Drama)
\n1997 – Amistad<\/em> (Best Original Score – Drama)
\n1996 – Sleepers<\/em> (Best Original Score – Drama)
\n1995 – “Moonlight” from Sabrina<\/em> (Best Original Song)
\n1995 – Sabrina<\/em> (Best Original Score – Comedy)
\n1995 – Nixon<\/em> (Best Original Score – Drama)
\n1993 –\u00a0Schindler’s List<\/strong><\/em>\u00a0(Best Original Score) *WINNER*
\n1991 – “When You’re Alone” from Hook<\/em> (Best Original Song)
\n1991 – JFK<\/em> (Best Original Score)
\n1990 – Home Alone<\/em> (Best Original Score)
\n1990 – “Somewhere In My Memory” from Home Alone<\/em> (Best Original Song)
\n1989 – Indiana Jones and the Last Crusade<\/em> (Best Original Score)
\n1989 – Born on the Fourth of July<\/em> (Best Original Score)
\n1988 – The Accidental Tourist<\/em> (Best Original Score)
\n1987 – The Witches of Eastwick<\/em> (Best Original Score)
\n1987 – Empire of the Sun<\/em> (Best Original Score)
\n1984 – The River<\/em> (Best Original Score)
\n1984 – Indiana Jones and the Temple of Doom<\/em> (Best Original Score)
\n1983 – Return of the Jedi<\/em> (Best Original Score)
\n1982 – “If We Were In Love” from Yes, Giorgio<\/em> (Best Original Song)
\n1982 –\u00a0E.T.: The Extra-Terrestrial<\/strong><\/em>\u00a0(Best Original Score) *WINNER*
\n1981 – Raiders of the Lost Ark<\/em> (Best Original Score)
\n1980 – The Empire Strikes Back<\/em> (Best Original Score)
\n1978 – Superman – The Movie<\/em> (Best Original Score)
\n1977 – Close Encounters of a Third Kind<\/em> (Best Original Score)
\n1977 –\u00a0Star Wars<\/strong><\/em>\u00a0(Best Original Score) *WINNER*
\n1975 –\u00a0Jaws<\/em><\/strong>\u00a0(Best Original Score) *WINNER*
\n1973 – Tom Sawyer<\/em> (Best Score Adaptation)
\n1974 – The Towering Inferno<\/em> (Best Original Score)
\n1973 – Cinderella Liberty<\/em> (Best Original Score)
\n1973 – “Nice to be Around” from Cincerella Liberty<\/em> (Best Original Song)
\n1972 – The Poseidon Adventure<\/em> (Best Original Score)
\n1972 – Images<\/em> (Best Original Score)
\n1971 –\u00a0Fiddler on the Roof\u00a0<\/strong><\/em>(Best Score Adaptation) * WINNER*
\n1969 – The Reivers<\/em> (Best Original Score)
\n1969 – Goodbye, Mr Chips<\/em> (Best Score Adaptation)
\n1967 – Valley of the Dolls<\/em> (Best Score Adaptation)<\/p>\n

 <\/p>\n

GRAMMY AWARDS<\/strong><\/p>\n

(Year in which the award was presented)<\/p>\n

2026 – “Music by John Williams”<\/strong> (Best Music Film) *WINNER*<\/p>\n

2024 – “Helena’s Theme” from Indiana Jones and the Dial of Destiny<\/em><\/strong> (Best Instrumental Composition) *WINNER*<\/p>\n

2024 – Indiana Jones and the Dial of Destiny<\/em> (Best Score Soundtrack For Visual Media)<\/p>\n

2024 – The Fabelmans<\/em> (Best Score Soundtrack For Visual Media)<\/p>\n

2023 – John Williams – The Berlin Concert (Best Orchestral Performance)<\/p>\n

2021 – Star Wars: The Rise Of Skywalker<\/em> (Best Score Soundtrack For Visual Media)<\/p>\n

2020 – Star Wars: Galaxy’s Edge<\/em> Symphonic Suite<\/strong> (Best Instrumental Composition) *WINNER*<\/p>\n

2020 – “Hedwig’s Theme” for Violin and Orchestra (Best Arrangement, Instrumental or A Cappella)<\/p>\n

2019 – The Last Jedi<\/em> (Best Score Soundtrack For Visual Media)<\/p>\n

2019 – “Mine Mission” from Solo: A Star Wars Story<\/em> (John Powell & John Williams) (Best Instrumental Composition)<\/p>\n

2018 – \u201cEscapades For Alto Saxophone And Orchestra From Catch Me If You Can<\/em><\/strong> (Best Arrangement, Instrumental or A Cappella) *WINNER*<\/p>\n

2017 – Star Wars: The Force Awakens<\/em><\/strong> (Best Score Soundtrack for Visual Media) *WINNER*<\/p>\n

2014 – “The Book Thief” from The Book Thief<\/em><\/strong> (Best Instrumental Composition) *WINNER*<\/p>\n

2013 – Lincoln<\/em> (Best Score Soundtrack for Visual Media)<\/p>\n

2012 – The Adventures of Tinti<\/em>n (Best Score Soundtrack for Visual Media)<\/p>\n

2009 – Indiana Jones and the Kingdom of the Crystal Skull<\/em>\u00a0(Best Score Soundtrack Album For A Motion Picture, Television Or Other Visual Media)<\/p>\n

2009 –\u00a0“The Adventures Of Mutt” from\u00a0Indiana Jones And The Kingdom Of The Crystal Skull<\/em><\/strong>\u00a0(Best Instrumental Composition) *WINNER*<\/p>\n

2007 –\u00a0Memoirs of a Geisha<\/strong><\/em>\u00a0(Best Score Soundtrack Album For A Motion Picture, Television Or Other Visual Media) *WINNER*<\/p>\n

2007 – Munich<\/em> (Best Score Soundtrack Album For A Motion Picture, Television Or Other Visual Media)<\/p>\n

2007 –\u00a0“A Prayer for Peace” from Munich<\/em><\/strong>\u00a0(Best Instrumental Composition) *WINNER*<\/p>\n

2007 –\u00a0“Sayuri’s\u00a0Theme and End Credits” from Memoirs of a Geisha<\/em>\u00a0(Best Instrumental Composition)<\/p>\n

2006 – Star Wars: Episode III – Revenge of the Sith<\/em> (Best Score Soundtrack Album For A Motion Picture, Television Or Other Visual Media)<\/p>\n

2006 – “Anakin’s Betrayal” from Star Wars: Episode III – Revenge of the Sit<\/em>h (Best Instrumental Composition)<\/p>\n

2005 – “The Ferry Scene” from War of the Worlds<\/em> (Best Instrumental Composition)<\/p>\n

2004 – Harry Potter and the Prisoner of Azkaban<\/em> (Best Score Soundtrack Album For A Motion Picture, Television Or Other Visual Media)<\/p>\n

2004 – Catch Me If You Can<\/em> (Best Score Soundtrack Album For A Motion Picture, Television Or Other Visual Media)<\/p>\n

2003 – Harry Potter and the Chamber of Secrets<\/em> (Best Score Soundtrack Album For A Motion Picture, Television Or Other Visual Media)<\/p>\n

2002 – Harry Potter and the Sorcerer’s Stone<\/em> (Best Score Soundtrack Album For A Motion Picture, Television Or Other Visual Media)<\/p>\n

2002 – “Hedwig’s Theme” from Harry Potter and the Sorcerer’s Stone<\/em> (Best Instrumental Composition)<\/p>\n

2002 – A.I. Artificial Intelligence<\/em> (Best Score Soundtrack Album For A Motion Picture, Television Or Other Visual Media)<\/p>\n

2001 –\u00a0“Theme from Angela’s Ashes”\u00a0<\/strong>(Best Instrumental Composition) *WINNER*<\/p>\n

2000 – Star Wars: Episode I – The Phantom Menace<\/em> (Best Instrumental Composition Written For A Motion Picture, Television Or Other Visual Media)<\/p>\n

2000 – “Stella By Starlight” from\u00a0The Uninvited\u00a0<\/em>on Cinema Serenade 2: The Golden Age (1999) (Best Instrumental Arrangement)<\/p>\n

1999 – Gershwin Fantasy (Best Classical Crossover Album) Joshua Bell, violin; John Williams, conductor & piano (London Symphony Orchestra)<\/p>\n

1999 –\u00a0Saving Private Ryan<\/em><\/strong>\u00a0(Best Instrumental Composition Written For A Motion Picture Or For Television)
\n*WINNER*<\/p>\n

1999 – Amistad<\/em> (Best Instrumental Composition Written For A Motion Picture Or For Television)<\/p>\n

1998 – Seven Years in Tibet<\/em> (Best Instrumental Composition Written For A Motion Picture Or For Television)<\/p>\n

1998 – The Lost World<\/em> (Best Instrumental Composition Written For A Motion Picture Or For Television)<\/p>\n

1997 – “Moonlight” from Sabrina<\/em> (Best Song Written Specifically for a Motion Picture or for Television)<\/p>\n

1995 –\u00a0Schindler’s List<\/strong><\/em>\u00a0(Best Instrumental Composition for a Motion Picture or Television) *WINNER*<\/p>\n

1994 – Jurassic Park<\/em> (Best Album of Original Score Written for a Motion Picture)<\/p>\n

1993 – Hoo<\/em>k (Best Album of Original Score Written for a Motion Picture)<\/p>\n

1993 – Hook<\/em> (Best Pop Instrumental Performance)<\/p>\n

1992 – “Home Alone<\/em> Main Title” (Best Arrangement on an Instrumental Recording)<\/p>\n

1992 – “Somewhere in my Memory” from Home Alone<\/em> (Best Song Written Specifically for a Motion Picture or for Television)<\/p>\n

1992 – The Star Wars Trilogy (Best Pop Instrumental Performance)<\/p>\n

1991 – Born o\u00adn the Fourth of July<\/em> (Best Arrangement o\u00adn an Instrumental Recording)<\/p>\n

1990 – Indiana Jones and the Last Crusade<\/em> (Best Album of Original Score Written for a Motion Picture)<\/p>\n

1989 – Olympic Spirit (Best Instrumental Composition)<\/p>\n

1989 – Empire of the Sun<\/em> (Best Album of Original Score Written for a Motion Picture)<\/p>\n

1988 – The Witches of Eastwick<\/em> (Best Album of Original Score Written for a Motion Picture)<\/p>\n

1986 – Prokofiev: Peter and the Wolf (Best Recording for Children)<\/p>\n

1985 –\u00a0“Olympic Fanfare and Theme”<\/strong>\u00a0(Best Instrumental Composition) *WINNER*<\/p>\n

1984 – Return o\u00adn the Jedi<\/em> (Best Album of Original Score Written for a Motion Picture)<\/p>\n

1983 –\u00a0“Flying (Theme from E.T. The Extra-Terrestrial<\/em>)”<\/strong>\u00a0(Best Arrangement o\u00adn an Instrumental Recording) *WINNER*<\/p>\n

1983 –\u00a0E.T. The Extra-Terrestrial<\/strong><\/em>\u00a0(Best Album of Original Score Written for a Motion Picture) *WINNER*<\/p>\n

1983 –\u00a0“Flying (Theme from E.T. The Extra-Terrestrial<\/em>)”\u00a0<\/strong>(Best Instrumental Composition)
\n*WINNER*<\/p>\n

1983 – “Adventure o\u00adn Earth” (Best Instrumental Composition)<\/p>\n

1983 – E.T. The Extra-Terrestrial<\/em> (Best Pop Instrumental Performance)<\/p>\n

1982 –\u00a0Raiders of the Lost Ark<\/strong><\/em>\u00a0(Best Album of Original Score Written for a Motion Picture) *WINNER*<\/p>\n

1981 –\u00a0The Empire Strikes Back<\/strong><\/em>\u00a0(Best Album of Original Score Written for a Motion Picture) *WINNER*<\/p>\n

1981 –\u00a0The Empire Strikes Back<\/strong><\/em>\u00a0(Best Instrumental Composition) *WINNER*<\/p>\n

1981 – “Imperial March (Darth Vader’s Theme)” from The Empire Strikes Back<\/em> (Best Instrumental Composition)<\/p>\n

1981 – “Yoda’s Theme” from The Empire Strikes Back<\/em> (Best Instrumental Composition)<\/p>\n

1981 – “Yoda’s Theme” from The Empire Strikes Back<\/em> (Best Pop Instrumental Performance)<\/p>\n

1980 –\u00a0Superman – The Movie<\/strong><\/em>\u00a0(Best Album of Original Score Written for a Motion Picture) *WINNER*<\/p>\n

1980 –\u00a0“Main Title Theme” from Superman – The Movie<\/em>\u00a0<\/strong>(Best Instrumental Composition) *WINNER*<\/p>\n

1980 – “Theme from Superman – The Movie<\/em> (Main Title)” (Best Pop Instrumental Performance)<\/p>\n

1979 –\u00a0Close Encounters of the Third Kind<\/strong><\/em>\u00a0(Best Album of Original Score for a Motion Picture) *WINNER*<\/p>\n

1979 –\u00a0“Theme from Close Encounters of the Third Kind<\/em>“<\/strong>\u00a0(Best Instrumental Composition) *WINNER*<\/p>\n

1979 – Close Encounters of the Third Kind<\/em> (Best Pop Instrumental Performance)<\/p>\n

1978 –\u00a0Star Wars<\/strong><\/em>\u00a0(Best Album of Original Score Written for a Motion Picture) *WINNER*<\/p>\n

1978 –\u00a0“Main Title” from Star Wars<\/em>\u00a0<\/strong>(Best Instrumental Composition) *WINNER*<\/p>\n

1978 –\u00a0Star Wars<\/strong><\/em>\u00a0(Best Pop Instrumental Performance) *WINNER*<\/p>\n

1978 – Star Wars<\/em> (Album of the Year)<\/p>\n

1976 – The Disaster Movie Suite (Best Arrangement o\u00adn an Instrumental Recording)<\/p>\n

1976 –\u00a0Jaws<\/strong><\/em>\u00a0(Best Album of Original Score Written for a Motion Picture) *WINNER*<\/p>\n

1962 – Checkmate<\/em> (Best Album of Original Score Written for a Motion Picture)<\/p>\n

 <\/p>\n

GOLDEN GLOBE AWARDS<\/strong>
\n(Best Original Score, except where noted)<\/p>\n

2017 – The Post<\/em>
\n2013 – The Book Thief<\/em>
\n2012 – Lincoln<\/em>
\n2011 – War Horse<\/em>
\n2005 –\u00a0Memoirs of a Geisha<\/strong><\/em>\u00a0*WINNER*
\n2001 – A.I. Artificial Intelligence<\/em>
\n1999 – Angela’s Ashes<\/em>
\n1998 – Saving Private Ryan<\/em>
\n1997 – Seven Years In Tibet<\/em>
\n1995 – “Moonlight” from Sabrina<\/em> (Best Original Song)
\n1993 – Schindler\u2019s List<\/em>
\n1989 – Born on the Fourth of July<\/em>
\n1988 – The Accidental Tourist<\/em>
\n1987 – Empire of the Sun<\/em>
\n1984 – The River<\/em>
\n1982 –\u00a0E.T. The Extra-Terrestrial<\/strong><\/em>\u00a0*WINNER*
\n1980 – The Empire Strikes Back<\/em>
\n1978 – Superman – The Movie<\/em>
\n1977 – Close Encounters of the Third Kind<\/em>
\n1977 –\u00a0Star Wars<\/strong><\/em>\u00a0*WINNER*
\n1975 –\u00a0Jaws<\/strong><\/em>\u00a0*WINNER*
\n1974 – Earthquake<\/em>
\n1973 – Tom Sawyer<\/em> (Composed by Richard M. Sherman & Robert B. Sherman, Adapted & Conducted by John Williams)
\n1973 – Cinderella Liberty<\/em>
\n1972 – The Poseidon Adventure<\/em><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

ACADEMY AWARDS 2023 – Indiana Jones and the Dial of Destiny (Best Original Score) 2022 – The Fabelmans (Best Original Score) 2019 – Star Wars: The Rise of Skywalker (Best Original Score) 2017 – Star Wars: The Last Jedi (Best…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":8,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-220","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/pages\/220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/jwfan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=220"}],"version-history":[{"count":34,"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/pages\/220\/revisions"}],"predecessor-version":[{"id":16869,"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/pages\/220\/revisions\/16869"}],"wp:attachment":[{"href":"https:\/\/jwfan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}