{"id":16817,"date":"2026-01-23T10:20:21","date_gmt":"2026-01-23T10:20:21","guid":{"rendered":"https:\/\/jwfan.com\/?p=16817"},"modified":"2026-03-12T17:08:06","modified_gmt":"2026-03-12T17:08:06","slug":"john-williams-attends-boston-performance-of-his-piano-concerto-january-22-2026","status":"publish","type":"post","link":"https:\/\/jwfan.com\/?p=16817","title":{"rendered":"John Williams Attends Boston Performance of His Piano Concerto, January 22, 2026"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-16819\" src=\"https:\/\/www.jwfan.com\/wp-content\/uploads\/2026\/01\/IMG_7806.png.8afdfbc2cfbf960481d8ed98f296641d.png\" alt=\"\" width=\"935\" height=\"1247\" srcset=\"https:\/\/www.jwfan.com\/wp-content\/uploads\/2026\/01\/IMG_7806.png.8afdfbc2cfbf960481d8ed98f296641d.png 935w, https:\/\/www.jwfan.com\/wp-content\/uploads\/2026\/01\/IMG_7806.png.8afdfbc2cfbf960481d8ed98f296641d-225x300.png 225w, https:\/\/www.jwfan.com\/wp-content\/uploads\/2026\/01\/IMG_7806.png.8afdfbc2cfbf960481d8ed98f296641d-768x1024.png 768w, https:\/\/www.jwfan.com\/wp-content\/uploads\/2026\/01\/IMG_7806.png.8afdfbc2cfbf960481d8ed98f296641d-560x747.png 560w, https:\/\/www.jwfan.com\/wp-content\/uploads\/2026\/01\/IMG_7806.png.8afdfbc2cfbf960481d8ed98f296641d-260x347.png 260w, https:\/\/www.jwfan.com\/wp-content\/uploads\/2026\/01\/IMG_7806.png.8afdfbc2cfbf960481d8ed98f296641d-160x213.png 160w\" sizes=\"auto, (max-width: 935px) 100vw, 935px\" \/><\/p>\n<p>&#8216;AN ALL JOHN WILLIAMS PROGRAM WITH EMANUEL AX AND GIL SHAHAM&#8217;<br \/>\nJanuary 22 &#8211; 25, 2026, Boston Symphony Hall<br \/>\nBoston Symphony Orchestra conducted by Andris Nelsons<br \/>\nEmanuel Ax, piano. Gil Shaham, violin<\/p>\n<p><strong>CONCERT PROGRAM<\/strong><\/p>\n<ul>\n<li>Joy Ride&#8217; from <i>Catch Me If You Can<br \/>\n<\/i><\/li>\n<li>Concerto for Piano and Orchestra<\/li>\n<li>Theme from Sabrina<br \/>\nINTERMISSION<\/li>\n<li>TreeSong, for violin and orchestra<\/li>\n<li>Theme from Schindler&#8217;s List<\/li>\n<li>Suite from <em>Close Encounters of the Third Kind<br \/>\n<\/em>ENCORE<\/li>\n<li>The Imperial March from <em>The Empire Strikes Back<\/em><\/li>\n<\/ul>\n<p><strong>CONCERT REVIEWS<\/strong><\/p>\n<p>EXTERNAL REVIEWS &amp; ARTICLES<\/p>\n<ul>\n<li><a href=\"https:\/\/bostonclassicalreview.com\/2026\/01\/john-williams-music-is-feted-in-high-style-by-bso-nelsons-and-guests\/\" target=\"_blank\" rel=\"noopener\">Boston Classical Review<\/a> &#8211; On Thursday, the orchestra and music director Andris Nelsons celebrated their colleague as part of this month\u2019s \u201cE Pluribus Unum\u201d festival. While the evening\u2019s program offered its share of familiar hits from the composer\u2019s film music catalogue, it also leaned into Williams\u2019 considerable concert output. The results proved illuminating. &#8211; <a href=\"https:\/\/bostonclassicalreview.com\/2026\/01\/john-williams-music-is-feted-in-high-style-by-bso-nelsons-and-guests\/\" target=\"_blank\" rel=\"noopener\">Full review<\/a><\/li>\n<li><a href=\"https:\/\/www.classical-scene.com\/2026\/01\/23\/williams-smiles\/\" target=\"_blank\" rel=\"noopener\">The Boston Musical Intelligencer<\/a> &#8211; When heard in Symphony Hall rather than in the Koussevitsky Shed at Tanglewood, without summer\u2019s open expansiveness, the Concerto revealed its more taut and coherent inner structure. Many subtler nuances were more audible, and the driven power of the work made a more blunt but lasting impact. &#8211; <a href=\"https:\/\/www.classical-scene.com\/2026\/01\/23\/williams-smiles\/\" target=\"_blank\" rel=\"noopener\">Full review<\/a><\/li>\n<li><a href=\"https:\/\/www.wbur.org\/news\/2026\/01\/22\/bso-celebrates-john-williams\" target=\"_blank\" rel=\"noopener\">Interview with Emanuel Ax<\/a> (January 21, 2026) &#8211; Like many of us Ax, 76, admires Williams\u2019 stamina. \u201cHe keeps saying, &#8216;This is the last thing I\u2019ll write,&#8217; but then he does something else \u2014 and now he&#8217;s working on a movie score,\u201d the pianist said. \u201cWhich is great for the world, and I think it&#8217;s great for him because he always has something to look forward to. That\u2019s how it should be.\u201d And he added, \u201cThe musicians that for me will last forever as American musicians are Bernstein, Copeland, and John Williams.\u201d &#8211;\u00a0<a href=\"https:\/\/www.wbur.org\/news\/2026\/01\/22\/bso-celebrates-john-williams\" target=\"_blank\" rel=\"noopener\">Full article<\/a><\/li>\n<\/ul>\n<p>JWFAN REVIEWS<\/p>\n<p><strong>Report by <a href=\"https:\/\/www.jwfan.com\/forums\/index.php?\/profile\/3280-rpvee\/\">rpvee <\/a><\/strong>(<a href=\"https:\/\/www.jwfan.com\/forums\/index.php?\/topic\/37809-an-all-john-williams-program-with-emanuel-ax-and-gil-shaham-e-pluribus-unum-from-many-one-january-22-25-2026-boston-symphony-hall-piano-concerto-to-be-recorded\/page\/3\/#findComment-2148039\">original post<\/a>):<\/p>\n<p>I wasn\u2019t sure I\u2019d ever see the Maestro in person again after his last conducting concert at Carnegie Hall in early 2024, and after missing his surprise appearance at Tanglewood last year. Being able to see him, and post new photos of him, in 2026 is so special and surreal. Even a wave to the audience is precious these days! And the fact he made the cross-country trek in New England\u2019s winter feels at least a bit promising.<\/p>\n<p>After an Imperial March encore, Williams came out again at the very end! He seemed very lively, even mimicking some grand cello movements. Some fellow JWFan\u2019ers and I were wondering if he\u2019d be capable of at least conducting calmer pieces like <em>Schindler\u2019s List<\/em>. Hopefully he holds a baton again one day.<\/p>\n<p>Right before he exited, Williams did his good ol\u2019 \u201csleepy hands\u201d pose! Classic.<\/p>\n<p>All in all, a beautiful evening of music, but the real treat was finally seeing the Maestro in person again.<\/p>\n<p><strong>Report by <a href=\"https:\/\/www.jwfan.com\/forums\/index.php?\/profile\/31315-homunkulus\/\">Homunkulus<\/a><\/strong> (<a href=\"https:\/\/www.jwfan.com\/forums\/index.php?\/topic\/37809-an-all-john-williams-program-with-emanuel-ax-and-gil-shaham-e-pluribus-unum-from-many-one-january-22-25-2026-boston-symphony-hall-piano-concerto-to-be-recorded\/page\/4\/#findComment-2148137\">original post<\/a>):<\/p>\n<p><em>Sabrina<\/em>\u00a0featured Emmanuel Ax on piano. Right after playing the concerto! He shook his hand once or twice like it was getting tired. But he played beautifully.<\/p>\n<p>Also notable, Gil Shaham played\u00a0<em>Schindler&#8217;s List<\/em>\u00a0and it was an unexpected revelation; his lyrical fluidity distinguished the piece from the familiar stylings we associate with Perlman.<\/p>\n<p>Let me add that Shahams&#8217;s performance of <em>Treesong<\/em>\u00a0was the best I&#8217;ve heard. So detailed. I guess it helped that I was sitting in the center of the first balcony of symphony hall where the acoustics are pristine.<\/p>\n<p><strong>Report by <a href=\"https:\/\/www.jwfan.com\/forums\/index.php?\/profile\/627-msm\/\">MSM<\/a><\/strong> (original post):<\/p>\n<p>It was wonderful to see the Maestro. Treesong after all those years was a treat. Great to see Gil Shaham shine again. The Piano Concerto sounded more brilliant than at Tanglewood. And JW looked sharp and in good shape!<br \/>\n@my fellow and ubiquitous JWFans thanks for catching up\u00a0<span class=\"ipsEmoji\">\ud83e\udd17<\/span><\/p>\n<p><strong>VIDEO <\/strong>(Boston Symphony)<br \/>\nJohn Williams takes his bow with BSO Music Director Andris Nelsons, pianist Emanuel Ax, and violinist Gil Shaham<\/p>\n<div class=\"ose- ose-uid-5bee841f6d6c9f34dd4b36a884790cad ose-embedpress-responsive\" style=\"width:600px; height:550px; max-height:550px; max-width:100%; display:inline-block;\"><iframe loading=\"lazy\" allowFullScreen=\"true\" class=\"embera-facebook-iframe-5bee8 embedpress-facebook--iframe\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2Freel%2F25614335978177653&width=600&height=550&show_text=true\" width=\"600\" height=\"550\" style=\"border:none;overflow:hidden\" scrolling=\"no\" frameborder=\"0\" allowTransparency=\"true\" allowFullScreen=\"true\"><\/iframe><\/div>\n<p><strong>PHOTOS<\/strong><\/p>\n<p>OFFICIAL PHOTOS<\/p>\n<div class=\"ose- ose-uid-48fa7464d8f7395a88e1a5cc36cecb11 ose-embedpress-responsive\" style=\"width:600px; height:550px; max-height:550px; max-width:100%; display:inline-block;\"><iframe loading=\"lazy\" allowFullScreen=\"true\" class=\"embera-facebook-iframe-48fa7 embedpress-facebook--iframe\" src=\"https:\/\/www.facebook.com\/plugins\/post.php?href=https%3A%2F%2Fwww.facebook.com%2Fbostonsymphony%2Fposts%2Fpfbid0pzVHbpHuyA4MpyRzAkGE9CQyPoNCdCP7Q215eKSBKCNLnHrvFnkR4KFvoM1Q5Dxel&width=600&height=550&show_text=true\" width=\"600\" height=\"550\" style=\"border:none;overflow:hidden\" scrolling=\"no\" frameborder=\"0\" allowTransparency=\"true\" allowFullScreen=\"true\"><\/iframe><\/div>\n<p><img decoding=\"async\" src=\"https:\/\/www.jwfan.com\/forums\/uploads\/monthly_2026_01\/IMG_3498.jpeg.d27a6404e0b5b5849c8f1bf5fdd896cd.jpeg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.jwfan.com\/forums\/uploads\/monthly_2026_01\/IMG_3501.jpeg.53950ccd6eb575c277c0f598be3db44f.jpeg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.jwfan.com\/forums\/uploads\/monthly_2026_01\/IMG_3505.jpeg.a1f6e518da40367017b8b2468269ee0f.jpeg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.jwfan.com\/forums\/uploads\/monthly_2026_01\/IMG_3506.jpeg.43ff3395e23c9d6d36ebe2b8c735828a.jpeg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.jwfan.com\/forums\/uploads\/monthly_2026_01\/IMG_3509.jpeg.49a7d481889a85b5a66b8a6ed08b3626.jpeg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.jwfan.com\/forums\/uploads\/monthly_2026_01\/IMG_8201.jpeg.f5886047fc5ed771afd31d2788b8e871.jpeg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.jwfan.com\/forums\/uploads\/monthly_2026_01\/IMG_8202.jpeg.26aa453f23962dad8d025053d45062a9.jpeg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.jwfan.com\/forums\/uploads\/monthly_2026_01\/IMG_8203.jpeg.3316b2a1dceaee3a7d6d6ca1f084e7e4.jpeg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.jwfan.com\/forums\/uploads\/monthly_2026_01\/IMG_8207.jpeg.ba59ee8ef844b908189679e062051c76.jpeg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.jwfan.com\/forums\/uploads\/monthly_2026_01\/image.jpeg.b5fcf9fa4ce34c754afde87748bccae9.jpeg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.jwfan.com\/forums\/uploads\/monthly_2026_01\/image.jpeg.33076dc7ce67765ccd70968084edbde1.jpeg\" \/><\/p>\n<ul>\n<li><a href=\"https:\/\/www.jwfan.com\/forums\/index.php?\/topic\/37809-an-all-john-williams-program-with-emanuel-ax-and-gil-shaham-e-pluribus-unum-from-many-one-january-22-25-2026-boston-symphony-hall-piano-concerto-to-be-recorded\/page\/3\/#findComment-2148039\">Discuss this topic in our forums<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;AN ALL JOHN WILLIAMS PROGRAM WITH EMANUEL AX AND GIL SHAHAM&#8217; January 22 &#8211; 25, 2026, Boston Symphony Hall Boston Symphony Orchestra conducted by Andris Nelsons Emanuel Ax, piano. Gil Shaham, violin CONCERT PROGRAM Joy Ride&#8217; from Catch Me If&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/jwfan.com\/?p=16817\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,4],"tags":[],"class_list":["post-16817","post","type-post","status-publish","format-standard","hentry","category-concert-reviews","category-concert-works"],"_links":{"self":[{"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/posts\/16817","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jwfan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16817"}],"version-history":[{"count":21,"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/posts\/16817\/revisions"}],"predecessor-version":[{"id":16892,"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/posts\/16817\/revisions\/16892"}],"wp:attachment":[{"href":"https:\/\/jwfan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16817"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jwfan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16817"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jwfan.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16817"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}