{"id":3273,"date":"2011-03-16T12:51:26","date_gmt":"2011-03-16T12:51:26","guid":{"rendered":"http:\/\/www.jwfan.com\/?p=3273"},"modified":"2017-12-06T00:48:40","modified_gmt":"2017-12-06T00:48:40","slug":"jaws-1975-complete-cue-list","status":"publish","type":"post","link":"https:\/\/jwfan.com\/?p=3273","title":{"rendered":"JAWS (1975) &#8211; Complete Cue List"},"content":{"rendered":"<p><!--more-->By Jason LeBlanc (<a href=\"http:\/\/www.jwfan.com\/forums\/index.php?showtopic=19986\">original post<\/a>)<\/p>\n<p>JAWS complete cue list and where you can find the cues on the <a href=\"http:\/\/www.amazon.com\/Jaws-Anniversary-Collectors-John-Williams\/dp\/B00004TR2G\/jwfancom-20\" target=\"_blank\" rel=\"noopener\">Decca CD<\/a>:<\/p>\n<p>1 1m1\u00a0<strong>Jaws Titles<\/strong>\u00a0&#8211; 1. Main Title and First Victim [0:00-0:55] (0:55)<br \/>\n2 1m3\u00a0<strong>The First Victim<\/strong>\u00a0&#8211; 1. Main Title and First Victim [0:58-2:34] (1:38)<br \/>\n3 1m5\u00a0<strong>Remains On The Beach<\/strong>\u00a0&#8211; 1. Main Title and First Victim [2:34-end] (0:54)<br \/>\n4 1m6s\u00a0<strong>Typewriter Chord<\/strong>\u00a0&#8211;\u00a0<em>Unreleased (possibly never recorded)<\/em><br \/>\n5 2m2\u00a0<strong>The Empty Raft<\/strong>\u00a0&#8211; 2. The Empty Raft (1:23)<br \/>\n6 3m1\u00a0<strong>The Pier Incident<\/strong>\u00a0&#8211; 3. The Pier Incident (2:23)<br \/>\n7 4m1r\u00a0<strong>Alternate Version<\/strong>\u00a0&#8211; 8. Father And Son [0:00-1:51] (1:51)<br \/>\n8 5m1\u00a0<strong>The Alimentary Canal<\/strong>\u00a0&#8211; 8. Father And Son [1:51-end] (1:50)<br \/>\n9 5m2\/6m0\u00a0<strong>Ben Gardner&#8217;s Boat\u00a0<\/strong>&#8211; 6. Ben Gardner&#8217;s Boat (3:31)<br \/>\n10 6m1\u00a0<strong>The Montage<\/strong>\u00a0&#8211; 7. Montage (1:31)<br \/>\n11 7m1\u00a0<strong>Into The Estuary<\/strong>\u00a0&#8211; 9. Into The Estuary (2:50)<br \/>\n12 8m2\u00a0<strong>Out To Sea<\/strong>\u00a0&#8211; 10. Out To Sea [0:00-0:52] (0:53)<br \/>\n13 8m3\/9m0\u00a0<strong>A Tug On The Line<\/strong>\u00a0&#8211; 10. Out To Sea [0:52-end] (2:05)<br \/>\n14 9m1\/10m0\u00a0<strong>Man Against Beast\u00a0<\/strong>&#8211; 11. Man Against Beast (5:33)<br \/>\n15 <strong>&#8220;Quint&#8217;s Tale&#8221;<\/strong>\u00a0&#8211; 12. Quint&#8217;s Tale (2:40)<br \/>\n16 11m3\u00a0<strong>Brody Panics<\/strong>\u00a0&#8211; 13. Brody Panics (1:10)<br \/>\n17 11m4\u00a0<strong>Barrel Off Starboard<\/strong>\u00a0&#8211; 14. Barrel Off Starboard (1:30)<br \/>\n18 11m5\/12m0\u00a0<strong>The Great Chase<\/strong>\u00a0&#8211; 15. The Great Shark Chase [0:31-end] (2:57)<br \/>\n19 12m1\u00a0<strong>Three Barrels Under<\/strong>\u00a0&#8211; 16. Three Barrels Under (2:05)<br \/>\n20 12m4\u00a0<strong>From Bad To Worse<\/strong>\u00a0&#8211; 17. Between Attacks [0:00-0:56] (0:56)<br \/>\n21 12m4Rev\u00a0<strong>Quint Thinks It Over<\/strong>\u00a0&#8211; 17. Between Attacks [0:56-end] (1:09)<br \/>\n22 13m1\u00a0<strong>Work Montage<\/strong>\u00a0&#8211; 4. The Shark Cage Fugue (1:59)<br \/>\n23 13m2\u00a0<strong>The Shark Approaches<\/strong>\u00a0&#8211; 18. The Shark Approaches [0:00-0:40] (0:40)<br \/>\n24 13m3\u00a0<strong>The Shark Hits The Cage<\/strong>\u00a0&#8211; 18. The Shark Approaches [0:40-end] (1:59)<br \/>\n25 14m1\u00a0<strong>Quint Meets His End<\/strong>\u00a0&#8211; 5. Shark Attack (1:17)<br \/>\n26 14m2\u00a0<strong>Blown To Bits<\/strong>\u00a0&#8211; 19. Blown To Bits (3:03)<br \/>\n27 14m3\u00a0<strong>End Titles\u00a0<\/strong>&#8211; 20. End Titles (1:52)<\/p>\n<p>28 11m5\/12m0\u00a0<strong>Alternate Intro<\/strong>\u00a0&#8211; 15. The Great Shark Chase [0:00-0:31] (0:31)<\/p>\n<ul>\n<li><strong><a href=\"https:\/\/spreadsheets.google.com\/pub?hl=en&amp;hl=en&amp;key=0AjiRtgP4_o4TdGNPOTdQMHhnVWtPdXNfXzN6V0FKNmc&amp;output=html\" target=\"_blank\" rel=\"noopener\">JAWS spreadsheet for easier reading<\/a><\/strong><\/li>\n<\/ul>\n<p>Some notes:<\/p>\n<p>1. 1m6s\u00a0<strong>Typewriter Chord\u00a0<\/strong>is the only cue not included on the Decca CD. It is a single chord meant to play when Brody types &#8220;SHARK&#8221; into the &#8220;Cause Of Death&#8221; line on the typewriter. Since it wasn&#8217;t used in the film, it might have never even been recorded.<\/p>\n<p>2. We don&#8217;t technically know that the cue title for the original version of 4m1 is &#8220;<strong>Father And Son<\/strong>&#8220;, but we can assume so based on that name being used for the Decca and the McNeely. I also don&#8217;t know how far Williams got with writing the original version &#8211; the\u00a0<strong>Alternate Version\u00a0<\/strong>was used in the film, on the Decca CD, and the McNeely CD. The original version might have never been recorded, or never even finished.<\/p>\n<p>3. We don&#8217;t technically know what the correct slate number or cue title is for the cue known as &#8220;Quint&#8217;s Tale&#8221; or &#8220;The Indianapolis Story&#8221;, but we can presume the title is &#8220;<strong>Quint&#8217;s Tale<\/strong>&#8221; because that title is used on the Decca CD and the McNeely CD.<\/p>\n<p>4. The original opening to 11m5\/12m0\u00a0<strong>The Great Chase\u00a0<\/strong>was unused in the film and rewritten, and the new opening is the familiar version we know from the film, the original LP, and the McNeely recording. The Decca CD track 15 features the revised opening immediately followed by the original opening and the rest of the cue<\/p>\n<p>5. All three Jaws CDs are not in chronological order! The original LP was a typical Williams OST arrangement; The McNeely re-recorded moved &#8220;A Tug On The Line&#8221; to the wrong spot, and the Decca CD featured some re-sequencing done by Williams for a better listening experience<\/p>\n<p>I really hope Intrada or another label is able to re-release this as a 2 disc set, with the full film scores &#8211; in order this time &#8211; on disc 1 and the original LP re-recording on Disc 2 &#8211; both completely remastered. That would be terrific!<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/jwfan.com\/?p=3273\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42,57],"tags":[],"class_list":["post-3273","post","type-post","status-publish","format-standard","hentry","category-complete-cue-lists","category-jaws"],"_links":{"self":[{"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/posts\/3273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jwfan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3273"}],"version-history":[{"count":8,"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/posts\/3273\/revisions"}],"predecessor-version":[{"id":10234,"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/posts\/3273\/revisions\/10234"}],"wp:attachment":[{"href":"https:\/\/jwfan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jwfan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jwfan.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}