{"id":3508,"date":"2012-01-12T17:49:30","date_gmt":"2012-01-12T17:49:30","guid":{"rendered":"http:\/\/www.jwfan.com\/?p=3508"},"modified":"2012-04-16T08:24:48","modified_gmt":"2012-04-16T08:24:48","slug":"war-horse-2011-complete-cue-list","status":"publish","type":"post","link":"https:\/\/jwfan.com\/?p=3508","title":{"rendered":"WAR HORSE (2011) – Complete Cue List"},"content":{"rendered":"

By Jason LeBlanc (original post & discussion<\/a>)<\/p>\n

COMPLETE CUE LIST<\/strong><\/p>\n

Note: All cue titles not taken from the OST or FYC Promo are completely made up by me. I have no idea what the official titles are.<\/p>\n

01 Dartmoor<\/strong> 3:52 Unreleased (0:08) \/ OST 01 [0:00-1:05] \/ Unreleased (0:08) \/ [1:05-2:06] \/ Unreleased (0:08) \/ [2:06-end]
\n02 To The Auction<\/strong> 1:58 Unreleased (0:21) \/ OST 02 [1:56-end]
\n03 The Auction<\/strong> 2:21 OST 02 [0:00-0:43] \/ Unreleased (0:05) \/ [0:43-0:52] \/ Unreleased (0:02) \/ [0:52-1:56]
\n04 The Auction<\/strong> (Alternate Ending) 0:30 Unreleased
\n05 Bringing Joey Home<\/strong> 2:16 OST 03 [0:00-1:20] \/ Unreleased (0:03) \/ [1:20-2:13]
\n06 Bonding With Joey<\/strong> 1:36 OST 03 [2:13-3:49]
\n07 The Duck<\/strong> 0:54 OST 03 [3:49-4:20] \/ Unreleased (0:03) \/ [4:20-end]
\n08 The Whistling Montage<\/strong> 2:02 Unreleased
\n09 Albert Defends Joey and Harnesses<\/strong> 3:23 Unreleased (0:22) \/ OST 05 [0:00-1:42] \/ Unreleased (1:14)
\n10 Walk On<\/strong> 2:42 Unreleased
\n11 Townsfolk Arrive<\/strong> 1:10 Unreleased
\n12 Plowing<\/strong> 5:35 OST 06 \/ Unreleased
\n13 Dad\u2019s Metals and Horse Vs Car<\/strong> 1:51 OST 05 [1:42-end]
\n14 Ruined Crop<\/strong> 1:55 OST 07 [0:00-1:52]
\n15 Leaving For France<\/strong> 1:45 OST 07 [1:52-end]
\n16 Preparing For The Charge<\/strong> 0:58 Unreleased
\n17 The Charge<\/strong> 2:24 OST 08 [0:00-1:39] \/ Unreleased (0:45)
\n18 Surrounded and Captured<\/strong> 1:42 OST 08 [1:39-end]
\n19 The Package<\/strong> 2:57 Unreleased
\n20 The Desertion<\/strong> 1:41 OST 09 [0:00-1:29] \/ Unreleased (0:12)
\n21 The Execution<\/strong> 1:07 OST 09 [1:29-end]
\n22 Joey\u2019s New Friends<\/strong> 3:30 OST 10
\n23 The Saddle<\/strong> 1:38 Unreleased
\n24 Over The Hill<\/strong> 1:50 Unreleased
\n25 It\u2019s A Pity They Found You<\/strong> 0:53 Unreleased
\n26 Pulling The Cannon<\/strong> 4:12 OST 11
\n27 The Death Of Topthorn<\/strong> 2:45 OST 12
\n28 The Dash Across No Man\u2019s Land<\/strong> 2:44 OST 13 [1:51-end]
\n29 The Dash Across No Man\u2019s Land<\/strong> (Insert) 0:04 Unreleased
\n30 Approaching Trapped Joey<\/strong> 2:00 OST 13 [0:00-1:51]
\n31 The Reunion<\/strong> 4:23 Unreleased (0:06) \/ OST 14 [0:00-1:39] \/ Unreleased (0:03) \/ [1:39-2:16] \/ Unreleased (0:19) \/ [2:16-end]
\n32 Remembering Emilie and Finale<\/strong> 5:14 OST 15 [0:00-0:46] \/ Unreleased (0:07) \/ [0:46-end]
\n33 End Credits<\/strong> 8:06 OST 16
\n34 End Credits<\/strong> (Alternate Opening) 0:21 Unreleased
\n35 Learning The Call<\/strong> (Concert Arrangement) 3:20 OST 04<\/p>\n

 <\/p>\n

CUE-BY-CUE BREAKDOWN<\/strong><\/p>\n

The opening logos for Touchstone Pictures and Dreamworks SKG play with no music, just the ambient sounds of a quiet English countryside.<\/p>\n

01.\u00a0Dartmoor\u00a0<\/strong>– 3:52 –\u00a0Unreleased (0:08) \/\u00a0<\/em>OST 01 [0:00-1:05] \/\u00a0Unreleased\u00a0<\/em>(0:08) \/ [1:05-2:06] \/\u00a0Unreleased\u00a0<\/em>(0:08) \/ [2:06-end]<\/p>\n

The movie\u2019s lone title card (\u201cDreamworks Pictures and Reliance Entertainment present\u201d) is scored with a quiet string sustain. When the title card fades out and the Dartmoor countryside fades in,\u00a0[… Coming soon]<\/strong><\/p>\n

The album version of this cue is edited down in 3 places – Removing the opening string sustain, shortening the music for Albert watching Joey from the fence (0:54-1:17 on the CD, running 0:23 compared to the film\u2019s 0:31) and completely removing the music for Joey and Albert\u2019s stare-down (which would go at 2:06).<\/em><\/p>\n

02.\u00a0To The Auction<\/strong>\u00a0– 1:58 –\u00a0Unreleased<\/em>\u00a0(0:21) \/ OST 02 [1:56-end]<\/p>\n

03.\u00a0The Auction<\/strong>\u00a0– 2:21 – OST 02 [0:00-0:43] \/\u00a0Unreleased\u00a0<\/em>(0:05) \/ [0:43-0:52] \/ Unreleased (0:02) \/ [0:52-1:56]
\n04.\u00a0The Auction (Alternate Ending)<\/strong>\u00a0– 0:30 –\u00a0Unreleased<\/em><\/p>\n

The album has two microedits at 0:43 and 0:52, and also presents the original ending of the cue. The revised ending would be edited in at 1:44.<\/em><\/p>\n

05.\u00a0Bringing Joey Home<\/strong>\u00a0– 2:16 – OST 03 [0:00-1:20] \/\u00a0Unreleased\u00a0<\/em>(0:03) \/ [1:20-2:13]<\/p>\n

A 3 second pause has been removed from the album version at 1:20. The film version is also longer by 15 seconds overall, hard to tell if by looping\/stretching what is heard on the OST in the film, or if the OST is edited down.<\/em><\/p>\n

06.\u00a0Bonding With Joey<\/strong>\u00a0– 1:36 – OST 03 [2:13-3:49]<\/p>\n

A Sustained note (OST time 3:00-3:02) has either been shortened on CD or lengthened in the film, no way to tell.<\/em><\/p>\n

07.\u00a0The Duck<\/strong>\u00a0– 0:54 – OST 03 [3:49-4:20] \/\u00a0Unreleased\u00a0<\/em>(0:03) \/ [4:20-end]<\/p>\n

A small bit of the repeating pattern at the end is removed at 4:20 of the OST track.<\/em><\/p>\n

08.\u00a0The Whistling Montage<\/strong>\u00a0– 2:02 –\u00a0Unreleased<\/em><\/p>\n

Williams expanded the film cue into a concert arrangement, which was included on the OST in place of the original cue. See below.<\/em><\/p>\n

09.\u00a0Albert Defends Joey and Harnesses<\/strong>\u00a0– 3:23 –\u00a0Unreleased\u00a0<\/em>(0:22) \/ OST 05 [0:00-1:42] \/ Unreleased (1:14)<\/p>\n

The film version of the portion on the OST is slightly longer, hard to tell if through looping in the film or editing on the OST.<\/em><\/p>\n

10.\u00a0Walk On<\/strong>\u00a0– 2:42 –\u00a0Unreleased<\/em><\/p>\n

11.\u00a0Townsfolk Arrive<\/strong>\u00a0– 1:10 –\u00a0Unreleased<\/em><\/p>\n

12.\u00a0Plowing<\/strong>\u00a0– 5:35 – OST 06 \/\u00a0Unreleased<\/em><\/p>\n

The film version is about 25 seconds longer than the OST version. It seems like the first half of the cue in the film is a different, longer take compared to the album version. The second half of the cue seems to be the same in both places.<\/em><\/p>\n

13.\u00a0Dad\u2019s Metals and Horse Vs Car<\/strong>\u00a0– 1:51 – OST 05 [1:42-end]<\/p>\n

In the final film, the cue edit edited down slightly at the very end.<\/em><\/p>\n

14.\u00a0Ruined Crop\u00a0<\/strong>– 1:55 – OST 07 [0:00-1:52]<\/p>\n

In the film, the repeating pattern heard from 1:11-1:21 on the OST is repeated 12 times instead of the OST\u2019s 9 before the backing strings come in, but its hard to say if the film was artificially looped or the OST was edited down.<\/em><\/p>\n

15.\u00a0Leaving For France<\/strong>\u00a0– 1:45 – OST 07 [1:52-end]<\/p>\n

On the CD, the ending of the track bleeds into the next track, making a clean and complete ending unavailable.<\/em><\/p>\n

16.\u00a0Preparing For The Charge<\/strong>\u00a0– 0:58 –\u00a0Unreleased<\/em><\/p>\n

17.\u00a0The Charge<\/strong>\u00a0– 2:24 – OST 08 [0:00-1:39] \/\u00a0Unreleased\u00a0<\/em>(0:45)<\/p>\n

The cue fades in late on CD and is overlapped with the ending of the previous track. The section heard on the OST from 0:09-0:20 is 3 seconds longer in the film, hard to tell if due to stretching in the film or editing down on the OST. The final 45 seconds of the cue are not heard on CD, as the CD segues to the next cue early.<\/em><\/p>\n

18.\u00a0Surrounded and Captured<\/strong>\u00a0– 1:42 – OST 08 [1:39-end]<\/p>\n

19.\u00a0The Package<\/strong>\u00a0– 2:57 –\u00a0Unreleased<\/em><\/p>\n

20.\u00a0The Desertion<\/strong>\u00a0– 1:41 – OST 09 [0:00-1:29] \/\u00a0Unreleased\u00a0<\/em>(0:12)<\/p>\n

The opening 13 seconds of the OST track are stretched to 29 seconds in the film, though it is unknown if they are artificially stretched or it is an alternate, slower recording. The ending is shortened to create a segue to the next cue.<\/em><\/p>\n

21.\u00a0The Execution<\/strong>\u00a0– 1:07 – OST 09 [1:29-end]<\/p>\n

The opening of the cue is shortened due to the way it segues from the previous track on the OST.<\/em><\/p>\n

22.\u00a0Joey\u2019s New Friends<\/strong>\u00a0– 3:30 – OST 10<\/p>\n

A rare cue with no noticable differences in the final film.<\/em><\/p>\n

23.\u00a0The Saddle<\/strong>\u00a0– 1:38 –\u00a0Unreleased<\/em><\/p>\n

24.\u00a0Over The Hill<\/strong>\u00a0– 1:50 –\u00a0Unreleased<\/em><\/p>\n

25.\u00a0It\u2019s A Pity They Found You<\/strong>\u00a0– 0:53 –\u00a0Unreleased<\/em><\/p>\n

26.\u00a0Pulling The Cannon<\/strong>\u00a0– 4:12 – OST 11<\/p>\n

In the final film, the section from 3:22-3:36 is dialed out completely. There are also some edits and possibly looping, though there doesn\u2019t seem to be any unreleased music and the overal length remains the same.<\/em><\/p>\n

27.\u00a0The Death Of Topthorn<\/strong>\u00a0– 2:45 – OST 12<\/p>\n

On the CD, the ending of the track bleeds into the next track, making a clean and complete ending unavailable.<\/em><\/p>\n

28.\u00a0The Dash Across No Man\u2019s Land\u00a0<\/strong>– 2:44 – OST 13 [1:51-end]
\n29.\u00a0The Dash Across No Man\u2019s Land (Insert)\u00a0<\/strong>– 0:04 –\u00a0Unreleased<\/em><\/p>\n

In the final film, a 4 second insert replaces 35 seconds of original material. On the album, the end of the next cue is heard overlapping the start of this cue. The album also presents Williams\u2019 original version of the cue; the insert would replace 2:41-3:17.<\/em><\/p>\n

30.\u00a0Approaching Trapped Joey<\/strong>\u00a0– 2:00 – OST 13 [0:00-1:51]<\/p>\n

On the album, music from the previous track overlaps the beginning of the cue, making a clean opening unavailable. The film version of the cue is longer, but it is impossible to tell if its been artificially extended or if the album version is cut down.<\/em><\/p>\n

31.\u00a0The Reunion<\/strong>\u00a0– 4:23 –\u00a0Unreleased\u00a0<\/em>(0:06) \/ OST 14 [0:00-1:39] \/\u00a0Unreleased\u00a0<\/em>(0:03) \/ [1:39-2:16] \/\u00a0Unreleased\u00a0<\/em>(0:19) \/ [2:16-end]<\/p>\n

The film version contains 28 seconds of material microedited out of the OST, but has 4 seconds of material microedited out towards the end, making it 24 seconds longer total.<\/em><\/p>\n

32.\u00a0Remembering Emilie and Finale<\/strong>\u00a0– 5:14 – OST 15 [0:00-0:46] \/\u00a0Unreleased\u00a0<\/em>(0:07) \/ [0:46-end]<\/p>\n

A long string sustain followed by a fadeout before resuming has been turned into a short string sustain that segues to the next piece of music quickly on the OST (at 0:46).<\/em><\/p>\n

33.\u00a0End Credits\u00a0<\/strong>– 8:06 – OST 16
\n34.\u00a0End Credits (Alternate Opening)\u00a0<\/strong>– 0:21 –\u00a0Unreleased<\/em><\/p>\n

35.\u00a0Learning The Call (Concert Arrangement)<\/strong>\u00a0– 3:20 – OST 04<\/p>\n

Williams expanded the \u201cWhistling Montage\u201d cue into a full concert arrangement and included it on the album in place of the film cue<\/p>\n","protected":false},"excerpt":{"rendered":"

By Jason LeBlanc (original post & discussion)<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42],"tags":[],"class_list":["post-3508","post","type-post","status-publish","format-standard","hentry","category-complete-cue-lists"],"_links":{"self":[{"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/posts\/3508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jwfan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3508"}],"version-history":[{"count":12,"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/posts\/3508\/revisions"}],"predecessor-version":[{"id":3674,"href":"https:\/\/jwfan.com\/index.php?rest_route=\/wp\/v2\/posts\/3508\/revisions\/3674"}],"wp:attachment":[{"href":"https:\/\/jwfan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jwfan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jwfan.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}