In Kenya, the advent of M-Pesa, a mobile money service, has transformed various sectors, including online gambling. This change has led to the rise of M-Pesa online casinos which have become a prominent feature of the country's digital entertainment landscape. These casinos provide a platform for players to deposit, wager, and withdraw funds directly from their mobile phones, eliminating the need for traditional banking methods. The simplicity and convenience offered by M-Pesa have attracted a large number of users, thereby stimulating the growth of the online gambling sector in Kenya. Furthermore, M-Pesa's integration with online casinos has fostered financial inclusion by enabling users, including those without access to traditional banking systems, to participate in online gaming. With its emphasis on security, ease, and speed of transactions, M-Pesa continues to contribute significantly to the online casino industry, marking a pivotal shift in how Kenyans engage in online gaming.

Washington DC, January 25, 2003 (II)

NSO scores with Hollywood By Jen Waters THE WASHINGTON TIMES Composer John Williams brought the magic of Hollywood to the John F. Kennedy Center for the Performing Arts last week. Although the National Symphony Orchestra is best known for presenting…

HEARTBEEPS (1981) – Album Review

Review by Amer Zahid One of the great scores to come from composer John Williams from his golden writing marathon is from the late 1970’s to mid 1980s’ during which he rendered such classics as The Star Wars films, Close Encounters, Superman, Raiders and E.T. In between he…

JFK (1991) – Album Reviews

TRACK LISTING Review by Jeff Commings Anyone who has seen Oliver Stone’s requiem to President Kennedy knows that this film is not one that would require a normal composer to just write a simple theme for strings and develop it…

AMISTAD (1997) – Album Review

TRACK LISTING Review by Jeff Commings I would love to be a fly on the wall when John Williams and Steven Spielberg get together and discuss scoring options for their films. I have wondered how they came up with the…

Washington DC, January 25, 2003

Williams conducted ‘The Imperial March’… with a lightsaber! Several of our board members attended the Saturday 25 performance at Washington DC’s Lincoln Center… From ‘Eplicon’: This is the first time I got to see Williams play the piano, and he…

Washington DC, January 24 & 25, 2003

Williams demonstrates the process of film scoring using clips from Indiana Jones and The Last Crusade and E.T. The Extra-Terrestrial Excerpt from The Washington Post on the Friday 24 concert (‘Music and Film Made in Hollywood, USA’): Another fascination was Williams’s own “Tribute…

SPACECAMP (1986) – Album Review

TRACK LISTING & SOUND CLIPS Review by Jeff Commings I’m sure after John Williams saw SpaceCamp, he knew it wasn’t going to be like his former space scores, which made him a household name. Instead, SpaceCamp appears to be geared for…