JOHN WILLIAMS AND THE MUSIC OF ‘STAR WARS’ NPR, May 22, 2005 (Original Audio) There are now six movies that begin exactly the same way: [we hear the opening blast of the Star Wars Main Title] The words “Star Wars” are…
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‘Master Class’ (2005)
MASTERCLASS WILLIAMS EARNS HIMSELF A SPOT IN PANTHEON OF COMPOSERS By JON BURLINGAME Variety, Nov. 29, 2005 If John Williams asks to score your movie, do you turn him down?Probably not. In the case of “Memoirs of a Geisha,” Rob…
London, May 16, 2005 (Star Wars Concert)
The Royal Philharmonic Orchestra performs music from the Star Wars saga, including the “Battle of the Heroes” World Concert Premiere… Leicester Square, London, UK Monday, May 16, 2005 The Royal Philharmonic Orchestra conducted by David Arnold ‘Episode III Celebration Day’
Washington DC, April 28, 2005 (Videos)
Watch the Maestro conduct The Imperial March, E.T., Violin Concerto and TreeSong
Washington DC, April 28 & 29, 2005
Kennedy Center Concert Hall, Washington DC Thursday, April 28 & Friday, April 29, 2005 The National Symphony Orchestra conducted by JOHN WILLIAMS Gil Shaham, Violin
REVENGE OF THE SITH (2005) – Recording Sessions & Complete Cue List
London, February 20, 2005 (with pictures)
‘From Star Wars to Schindler’s List’ Barbican Hall, London, UK Sunday, February 20, 2005 The London Synmphony Orchestra conducted by Dirk Brossé
ANGELA’S ASHES (1999) – Complete Cue List
By ‘HornPlayer7’
Syracuse, November 13, 2004
From Syracuse.com: ‘SSO Pops packs a rhythmic punch’The music of John Williams is celebrated by clean, crisp technique from SSO. Saturday, November 13, 2004 By Chuck Klaus Those who hold an enthusiasm for cinema music had many reasons to rejoice during…
Hollywood Bowl, August 27, 2004
Hollywood Bowl, Hollywood, CA Friday, August 27, 2004 The Los Angeles Philharmonic Orchestra conducted by JOHN WILLIAMS Cal State Fullerton University Singers Bruce Jenner, special guest
CATCH ME IF YOU CAN (2002) – Album in Chronological Order
CATCH ME IF YOU CAN (2002) – Complete Cue List
By James Luckard Something to know at the start, basically the whole film score could be called unreleased, because none of the tracks on the soundtrack is the original film version. The album is clearly a re-recording, with one entire…