In Kenya, the advent of M-Pesa, a mobile money service, has transformed various sectors, including online gambling. This change has led to the rise of M-Pesa online casinos which have become a prominent feature of the country's digital entertainment landscape. These casinos provide a platform for players to deposit, wager, and withdraw funds directly from their mobile phones, eliminating the need for traditional banking methods. The simplicity and convenience offered by M-Pesa have attracted a large number of users, thereby stimulating the growth of the online gambling sector in Kenya. Furthermore, M-Pesa's integration with online casinos has fostered financial inclusion by enabling users, including those without access to traditional banking systems, to participate in online gaming. With its emphasis on security, ease, and speed of transactions, M-Pesa continues to contribute significantly to the online casino industry, marking a pivotal shift in how Kenyans engage in online gaming.
A NEW RECORDING CONTRACT FOR POPS By Richard Dyer, Globe Staff The Boston Globe, page 110, December 14th, 1989 John Williams and the Boston Pops signed a new recording contract with Sony Classical, a division of CBS records, on Monday.…
THE SUGARPLUM FAIRY TALKS TURKEY By Richard Dyer, Globe Staff The Boston Globe, page 24, November 26th, 1989 “All Christmas observances in our family are fairly traditional,” says Boston Pops conductor, John Williams, “with gifts and lots of slimming things…
YOU’LL BE HEARING FROM HIM By Richard Dyer, Globe Staff The Boston Globe, page 77, August 31st, 1989 LENOX — Timothy Morrison has returned from Hollywood, where he made his first movie, “Born on the Fourth of July.” You won’t…
JOHN WILLIAMS’ PURSUIT OF EXCELLENCE By Marian Christy, Globe Staff The Boston Globe, page 21, July 4th, 1989 John Williams, conductor of the Boston Pops Orchestra since l980, describes himself as a cool professional. “I don’t have the aspect of…
ORCHESTRATING ‘INDIANA JONES’ By Fernando Gonzalez, Globe Staff The Boston Globe, page 91, June 18th, 1989 The music business thrives on stories of overnight fame and million-dollar contracts. For most musicians, success means simply making a living doing what they…
JOHN WILLIAMS BEGINS 10TH YEAR IN TUNE WITH POPS By Richard Dyer, Globe Staff The Boston Globe, page B37, May 7th, 1989 Arthur Fiedler piloted the Boston Pops for 50 years, and now John Williams is almost a fifth of…
WILLIAMS SAYS POPS WELL-TEMPERED FOR UPCOMING SEASON By Richard Dyer, Globe Staff The Boston Globe, page 110, May 1st, 1988 Last week, John Williams had conducted his first Pops rehearsal of the season, and he pronounced himself well-satisfied. “I think…
PRIDE AND THE POPS A GALA OPENING TONIGHT By Richard Dyer, Globe Staff The Boston Globe, page 65, May 5th, 1987 Last Tuesday night, well after 11 o’clock, John Williams recorded the final notes of his score for “The Witches…
GETTING READY FOR A BIG DATE By Richard Dyer, Globe Staff The Boston Globe, page 15, April 22nd, 1986 “I’ve only seen the Statue of Liberty from the water,” says John Williams, speaking from his office at 20th Century Fox…
WILLIAMS ANSWERS SPIELBERG’S CALL FOR MUSIC By George McKinnon, Globe Staff – 05/13/1983 It looked like Pops Goes To Africa in Symphony Hall yesterday afternoon what with exotic African instruments crowding the stage and the members of the Tanglewood chorus…
ORCHESTRATING A NEW POPS SEASON By Richard Dyer, Globe Staff The Boston Globe, May 4th, 1982 Last week, just a week away from the opening night of Pops, John Williams was still in the Hollywood studios of 20th Century Fox…
JOHN WILLIAMS’ QUIET SIDE By M. R. Montgomery Globe Staff The Boston Globe, March 18th, 1981 John Williams lives on a quiet street in the modest (one- Mercedes-to-a-garage) part of this village, in a quiet neo-Georgian house with a blooming…